From Noise to Aura: Haptic Audio-vision and Cinematic Perception in Un Lac (2008) and Leviathan (2012)

Tüzen Isenberg, Senem

From Noise to Aura: Haptic Audio-vision and Cinematic Perception in Un Lac (2008) and Leviathan (2012)

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Tüzen Isenberg, S. From Noise to Aura: Haptic Audio-vision and Cinematic Perception in Un Lac (2008) and Leviathan (2012). 2025. handle: http://hdl.handle.net/10230/71364

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Abstract

This thesis explores how digital sound technologies—particularly the aesthetic use of noise and Dolby multichannel systems—have reconfigured cinema’s sensory capacities. Through a comparative analysis of Un Lac (2008) and Leviathan (2012), I investigate how sound becomes not mere accompaniment but the primary structuring force of perceptual experience, crafting haptic, affective time-images that foster tactile intimacy between spectator and film. In this zone of tension—this close-farness—the f ilms' sensory outreach meets the spectator's longing (Marks, 1999), dissolving the boundaries between seeing and being seen (Merleau-Ponty, 1968). Grounded in Marks' haptic visuality, Deleuze's affect theory, and Merleau-Ponty’s phenomenology, this thesis traces how cinematic sound—especially noise—produces an immersive, vibratory field that disorients representational logic and opens up new forms of sensorial cinema.