From Noise to Aura: Haptic Audio-vision and Cinematic Perception in Un Lac (2008) and Leviathan (2012)
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- dc.contributor.author Tüzen Isenberg, Senem
- dc.date.accessioned 2025-10-03T12:42:50Z
- dc.date.available 2025-10-03T12:42:50Z
- dc.date.issued 2025
- dc.description Treball de fi de màster en Estudis de Cinema i Audiovisual Contemporanis
- dc.description Tutor: Santiago Fillol
- dc.description.abstract This thesis explores how digital sound technologies—particularly the aesthetic use of noise and Dolby multichannel systems—have reconfigured cinema’s sensory capacities. Through a comparative analysis of Un Lac (2008) and Leviathan (2012), I investigate how sound becomes not mere accompaniment but the primary structuring force of perceptual experience, crafting haptic, affective time-images that foster tactile intimacy between spectator and film. In this zone of tension—this close-farness—the f ilms' sensory outreach meets the spectator's longing (Marks, 1999), dissolving the boundaries between seeing and being seen (Merleau-Ponty, 1968). Grounded in Marks' haptic visuality, Deleuze's affect theory, and Merleau-Ponty’s phenomenology, this thesis traces how cinematic sound—especially noise—produces an immersive, vibratory field that disorients representational logic and opens up new forms of sensorial cinema.
- dc.identifier.uri http://hdl.handle.net/10230/71364
- dc.language.iso eng
- dc.rights Licencia CC Reconocimiento - No Comercial-Sin Obra Derivada 4.0 Internacional (CC BY-NC-ND 4.0)
- dc.rights.accessRights info:eu-repo/semantics/openAccess
- dc.rights.uri https://creativecommons.org/licenses/by-nc-nd/4.0/
- dc.subject.other Cinema experimental
- dc.title From Noise to Aura: Haptic Audio-vision and Cinematic Perception in Un Lac (2008) and Leviathan (2012)
- dc.type info:eu-repo/semantics/masterThesis