La voz del régimen franquista: Estudio de la censura y del control ideológico en el doblaje cinematográfico español

Ferran Ferreiro, Alba

La voz del régimen franquista: Estudio de la censura y del control ideológico en el doblaje cinematográfico español

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Ferran Ferreiro, A. La voz del régimen franquista: Estudio de la censura y del control ideológico en el doblaje cinematográfico español. 2025. handle: http://hdl.handle.net/10230/71029

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Abstract

This study analyzes the transformations imposed by Francoist censorship on Spanish film dubbing. A comparative method is employed between the original version and the dubbed version of the film The Barefoot Contessa (1954), with the aim of detecting patterns in decision-making. A textual analysis focused on key scenes is conducted to reveal the strategies applied to address issues considered controversial by the regime. The data were obtained from representative excerpts dealing with topics such as adultery, justice, war, and the role of women. The results show a high level of discursive manipulation aimed at consolidating the moral values of Francoism. Additionally, different prominent forms of censorship are identified, including omission, substitution, and addition of content. Thus, this study contributes to understanding dubbing as an instrument of cultural control, while highlighting the importance of making this phenomenon visible as part of historical memory and the critical analysis of media in authoritarian contexts.