dc.contributor.author |
Cuesta, Helena |
dc.contributor.author |
Gómez Gutiérrez, Emilia, 1975- |
dc.contributor.author |
Chandna, Pritish |
dc.date.accessioned |
2019-10-31T12:04:47Z |
dc.date.available |
2019-10-31T12:04:47Z |
dc.date.issued |
2019 |
dc.identifier.citation |
Cuesta H, Gómez E, Chandna P. A Framework for multi-f0 modeling in SATB choir recordings. In: Proceedings of the 16th Sound & Music Computing Conference SMC 2019; 2019 May 28-31; Malaga, Spain. [Málaga]: Sound and Music Computing; 2019. p. 447-53. |
dc.identifier.isbn |
978-84-09-08518-7 |
dc.identifier.issn |
2518-3672 |
dc.identifier.uri |
http://hdl.handle.net/10230/42577 |
dc.description |
Comunicació presentada a: Sound & Music Computing Conference celebrada del 28 al 31 de maig de 2019 a Màlaga, Espanya. |
dc.description.abstract |
Fundamental frequency (f0) modeling is an important but
relatively unexplored aspect of choir singing. Performance
evaluation as well as auditory analysis of singing, whether
individually or in a choir, often depend on extracting f0
contours for the singing voice. However, due to the large
number of singers, singing at a similar frequency range,
extracting the exact individual pitch contours from choir
recordings is a challenging task. In this paper, we address
this task and develop a methodology for modeling
pitch contours of SATB choir recordings. A typical SATB
choir consists of four parts, each covering a distinct range
of pitches and often with multiple singers each. We first
evaluate some state-of-the-art multi-f0 estimation systems
for the particular case of choirs with a single singer per
part, and observe that the pitch of individual singers can
be estimated to a relatively high degree of accuracy. We
observe, however, that the scenario of multiple singers for
each choir part (i.e. unison singing) is far more challenging.
In this work we propose a methodology based on combining
a multi-f0 estimation methodology based on deep
learning followed by a set of traditional DSP techniques
to model f0 and its dispersion instead of a single f0 trajectory
for each choir part. We present and discuss our
observations and test our framework with different singer
configurations. |
dc.description.sponsorship |
This work is partially supported by the European Commission
under the TROMPA project (H2020 770376) and
by Spanish Ministry of Economy and Competitiveness under
the CASAS project (TIN2015-70816-R). First author
is supported by FI Predoctoral Grant from AGAUR (Generalitat
de Catalunya). |
dc.format.mimetype |
application/pdf |
dc.language.iso |
eng |
dc.publisher |
Sound and Music Computing |
dc.relation.ispartof |
Proceedings of the 16th Sound & Music Computing Conference SMC 2019; 2019 May 28-31; Malaga, Spain. [Málaga]: Sound and Music Computing; 2019. |
dc.rights |
© 2018 Helena Cuesta et al. This is an open-access article distributed
under the terms of the Creative Commons Attribution 3.0 Unported License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. |
dc.rights.uri |
https://creativecommons.org/licenses/by/3.0/ |
dc.title |
A Framework for multi-f0 modeling in SATB choir recordings |
dc.type |
info:eu-repo/semantics/conferenceObject |
dc.relation.projectID |
info:eu-repo/grantAgreement/EC/H2020/770376 |
dc.relation.projectID |
info:eu-repo/grantAgreement/ES/1PE/TIN2015-70816-R |
dc.rights.accessRights |
info:eu-repo/semantics/openAccess |
dc.type.version |
info:eu-repo/semantics/publishedVersion |