dc.contributor.author |
Garín Boronat, Manuel |
dc.date.accessioned |
2017-11-27T17:30:49Z |
dc.date.available |
2017-11-27T17:30:49Z |
dc.date.issued |
2012 |
dc.identifier.citation |
Garin M. Truth takes time: the interplay between heroines, genres and narratives in three J. J. Abrams' television series. Communication & society. 2013;23(2):47-64. |
dc.identifier.issn |
0214-0039 |
dc.identifier.uri |
http://hdl.handle.net/10230/33352 |
dc.description.abstract |
This paper suggests that J. J. Abrams’ serial universe has been shaped by the management of truth and time bound to the great feminine protagonists in Felicty (WB, 1998-2002), Alias (ABC, 2001-2006) and Fringe (FOX, 2008-2013), analyzed as a progression at three levels: the character’s heroic identity, the thematic and generic mutations that take shape, and the ideas of serial timing that undermine space-time continuity. From a series that assimilates its moulds and plays at denouncing them (Felicity) to a series exploring the traps of time by inhabiting its limits (Alias), and one that transforms such ambiguities into an ontological division between parallel universes (Fringe). |
dc.description.abstract |
El presente artículo analiza cómo el universo serial de J. J. Abrams ha evolucionado a partir de la gestión de la verdad y el tiempo ligada a sus grandes protagonistas femeninas en Felicity (WB, 1998-2002), Alias (ABC, 2001-2006) y Fringe (FOX, 2008-2013), mediante una progresión a tres niveles: la identidad cambiante de sus heroínas, las mutaciones genéricas que corrompen tal identidad, y las ideas de temporalidad serial que socavan la continuidad espacio-tiempo. De una serie que asimila sus moldes y juega a denunciarlos (Felicity) a otra que explora las trampas del tiempo habitando sus límites (Alias), y a otra que transforma esos interrogantes en una división ontológica entre universos paralelos (Fringe). |
dc.format.mimetype |
application/pdf |
dc.language.iso |
eng |
dc.publisher |
Universidad de Navarra |
dc.relation.ispartof |
Communication & society. 2013;23(2):47-64. |
dc.rights |
© Garin M. Truth takes time: the interplay between heroines, genres and narratives in three J. J. Abrams' television series. Communication & society. 2013;23(2):47-64. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium.
http://creativecommons.org/licenses/by/3.0/ |
dc.rights.uri |
http://creativecommons.org/licenses/by/3.0/ |
dc.title |
Truth takes time: the interplay between heroines, genres and narratives in three J. J. Abrams' television series |
dc.title.alternative |
Truth Takes Time: los vínculos entre heroínas, géneros y narrativas en tres series televisivas de J. J. Abrams |
dc.type |
info:eu-repo/semantics/article |
dc.subject.keyword |
J. J. Abrams |
dc.subject.keyword |
Television |
dc.subject.keyword |
Series |
dc.subject.keyword |
Narrative |
dc.subject.keyword |
Genre |
dc.subject.keyword |
Science-fiction |
dc.subject.keyword |
Televisión |
dc.subject.keyword |
Narrativa |
dc.subject.keyword |
Género |
dc.subject.keyword |
Ciencia-ficción |
dc.rights.accessRights |
info:eu-repo/semantics/openAccess |
dc.type.version |
info:eu-repo/semantics/publishedVersion |