Truth takes time: the interplay between heroines, genres and narratives in three J. J. Abrams' television series

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• dc.contributor.author Garín Boronat, Manuelca
• dc.date.accessioned 2017-11-27T17:30:49Z
• dc.date.available 2017-11-27T17:30:49Z
• dc.date.issued 2012
• dc.description.abstract This paper suggests that J. J. Abrams’ serial universe has been shaped by the management of truth and time bound to the great feminine protagonists in Felicty (WB, 1998-2002), Alias (ABC, 2001-2006) and Fringe (FOX, 2008-2013), analyzed as a progression at three levels: the character’s heroic identity, the thematic and generic mutations that take shape, and the ideas of serial timing that undermine space-time continuity. From a series that assimilates its moulds and plays at denouncing them (Felicity) to a series exploring the traps of time by inhabiting its limits (Alias), and one that transforms such ambiguities into an ontological division between parallel universes (Fringe).
• dc.description.abstract El presente artículo analiza cómo el universo serial de J. J. Abrams ha evolucionado a partir de la gestión de la verdad y el tiempo ligada a sus grandes protagonistas femeninas en Felicity (WB, 1998-2002), Alias (ABC, 2001-2006) y Fringe (FOX, 2008-2013), mediante una progresión a tres niveles: la identidad cambiante de sus heroínas, las mutaciones genéricas que corrompen tal identidad, y las ideas de temporalidad serial que socavan la continuidad espacio-tiempo. De una serie que asimila sus moldes y juega a denunciarlos (Felicity) a otra que explora las trampas del tiempo habitando sus límites (Alias), y a otra que transforma esos interrogantes en una división ontológica entre universos paralelos (Fringe).
• dc.format.mimetype application/pdfca
• dc.identifier.citation Garin M. Truth takes time: the interplay between heroines, genres and narratives in three J. J. Abrams' television series. Communication & society. 2013;23(2):47-64.
• dc.identifier.issn 0214-0039
• dc.identifier.uri http://hdl.handle.net/10230/33352
• dc.language.iso eng
• dc.publisher Universidad de Navarraca
• dc.relation.ispartof Communication & society. 2013;23(2):47-64.
• dc.rights © Garin M. Truth takes time: the interplay between heroines, genres and narratives in three J. J. Abrams' television series. Communication & society. 2013;23(2):47-64. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium. http://creativecommons.org/licenses/by/3.0/
• dc.rights.accessRights info:eu-repo/semantics/openAccess
• dc.rights.uri http://creativecommons.org/licenses/by/3.0/
• dc.subject.keyword J. J. Abrams
• dc.subject.keyword Television
• dc.subject.keyword Series
• dc.subject.keyword Narrative
• dc.subject.keyword Genre
• dc.subject.keyword Science-fiction
• dc.subject.keyword Televisión
• dc.subject.keyword Narrativa
• dc.subject.keyword Género
• dc.subject.keyword Ciencia-ficción
• dc.title Truth takes time: the interplay between heroines, genres and narratives in three J. J. Abrams' television seriesca
• dc.title.alternative Truth Takes Time: los vínculos entre heroínas, géneros y narrativas en tres series televisivas de J. J. Abrams
• dc.type info:eu-repo/semantics/article
• dc.type.version info:eu-repo/semantics/publishedVersion