Applause identification and its relevance to archival of Carnatic music

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  • dc.contributor.author Sarala, Padica
  • dc.contributor.author Ishwar, Vigneshca
  • dc.contributor.author Bellur, Ashwinca
  • dc.contributor.author Murthy, Hema A.ca
  • dc.contributor.other Universitat Pompeu Fabra
  • dc.date.accessioned 2013-03-13T09:37:50Z
  • dc.date.available 2013-03-13T09:37:50Z
  • dc.date.issued 2012ca
  • dc.description Comunicació presentada al 2nd CompMusic Workshop, celebrat els dies 12 i 13 de juliol de 2012 a Istanbul (Turquia), organitzat per CompMusic.
  • dc.description.abstract A Carnatic music concert is made up of a sequence of pieces, where each piece corresponds to a particular genre and ra¯aga (melody). Unlike a western music concert, the artist may be applauded intra-performance /ninter-performance. Most Carnatic music that is archived today correspond to a single audio recordings of entire concerts./nThe purpose of this paper is to segment single audio recordings into a sequence of pieces using the/ncharacteristic features of applause and music. Spectral flux, spectral entropy change quite significantly from music to applause and vice-versa. The characteristics of these features for a subset of concerts was studied. A threshold based approach was used to segment the pieces into music fragments and applauses. Preliminary results/non recordings 19 concerts from matched microphones show that the EER is about 17% for a resolution of 0.25 seconds. Further, a parameter called CUSUM is estimated/nfor the applause regions. The CUSUM values determine the strength of the applause. The CUSUM is used to characterise the highlights of a concert.
  • dc.description.sponsorship This research was partly funded by the European Research Council under the European Unions Seventh Framework Program, as part of the CompMusic project (ERC grant/nagreement 267583).
  • dc.format.mimetype application/pdfca
  • dc.identifier.citation Sarala P, Ishwar V, Bellur A, Murthy H. Applause identification and its relevance to archival of Carnatic music. In: Serra X, Rao P, Murthy H, Bozkurt B, editors. Proceedings of the 2nd CompMusic Workshop; 2012 Jul 12-13; Istanbul, Turkey. Barcelona: Universitat Pompeu Fabra; 2012. p. 66-71.ca
  • dc.identifier.uri http://hdl.handle.net/10230/20489
  • dc.language.iso engca
  • dc.publisher Universitat Pompeu Fabraca
  • dc.relation.ispartof Serra X, Rao P, Murthy H, Bozkurt B, editors. Proceedings of the 2nd CompMusic Workshop; 2012 Jul 12-13; Istanbul, Turkey. Barcelona: Universitat Pompeu Fabra; 2012.
  • dc.relation.projectID info:eu-repo/grantAgreement/EC/FP7/267583
  • dc.rights © 2012 Padi Sarala and Vignesh Ishwar et al. This/nis an open-access article distributed under the terms of the/nCreative Commons Attribution 3.0 Unported License, which permits unrestricted/nuse, distribution, and reproduction in any medium, provided the original author/nand source are credited.ca
  • dc.rights.accessRights info:eu-repo/semantics/openAccessca
  • dc.rights.uri http://creativecommons.org/licenses/by/3.0/
  • dc.subject.other Música -- Índia
  • dc.subject.other Música -- Execució
  • dc.title Applause identification and its relevance to archival of Carnatic musicca
  • dc.type info:eu-repo/semantics/conferenceObjectca
  • dc.type.version info:eu-repo/semantics/publishedVersionca

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