A Machine learning approach to ornamentation modeling and synthesis in jazz guitar

dc.contributor.authorRamírez, Rafael, 1966-
dc.contributor.authorGiraldo, Sergio
dc.date.accessioned2019-05-02T10:25:09Z
dc.date.available2019-05-02T10:25:09Z
dc.date.issued2016
dc.description.abstractWe present a machine learning approach to automatically generate expressive (ornamented) jazz performances from un-expressive music scores. Features extracted from the scores and the corresponding audio recordings performed by a professional guitarist were used to train computational models for predicting melody ornamentation. As a first step, several machine learning techniques were explored to induce regression models for timing, onset, and dynamics (i.e. note duration and energy) transformations, and an ornamentation model for classifying notes as ornamented or non-ornamented. In a second step, the most suitable ornament for predicted ornamented notes was selected based on note context similarity. Finally, concatenative synthesis was used to automatically synthesize expressive performances of new pieces using the induced models. Supplemental online material for this article containing musical examples of the automatically generated ornamented pieces can be accessed at doi: 10.1080/17459737.2016.1207814 and https://soundcloud.com/machine-learning-and-jazz. In the Online Supplement we present an example of the musical piece Yesterdays by Jerome Kern, which was modeled using our methodology for expressive music performance in jazz guitar.en
dc.description.sponsorshipThis project has received funding from: the European Union Horizon 2020 research and innovation programme [grant agreement No 688269]; the Spanish TIN project TIMUL [grant agreement TIN2013-48152-C2-2-R].
dc.format.mimetypeapplication/pdf
dc.identifier.citationGiraldo S, Ramírez R. A Machine learning approach to ornamentation modeling and synthesis in jazz guitar. Journal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance. 2016 Oct 17;10(2):107-26. DOI: 10.1080/17459737.2016.1207814
dc.identifier.doihttp://dx.doi.org/10.1080/17459737.2016.1207814
dc.identifier.issn1745-9737
dc.identifier.urihttp://hdl.handle.net/10230/37165
dc.language.isoeng
dc.publisherTaylor & Francis
dc.relation.ispartofJournal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance. 2016 Oct 17;10(2):107-26.
dc.relation.projectIDinfo:eu-repo/grantAgreement/EC/H2020/688269
dc.relation.projectIDinfo:eu-repo/grantAgreement/ES/1PE/TIN2013-48152-C2-2-R
dc.rights© This is an Accepted Manuscript of an article published by Taylor & Francis in ournal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance on 2016 Oct 17, available online: http://www.tandfonline.com/10.1080/17459737.2016.1207814
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.subject.keywordMachine learning
dc.subject.keywordExpressive music performance
dc.subject.keywordOrnamentation modeling
dc.subject.keywordJazz guitar
dc.subject.keywordConcatenative synthesis
dc.titleA Machine learning approach to ornamentation modeling and synthesis in jazz guitar
dc.typeinfo:eu-repo/semantics/article
dc.type.versioninfo:eu-repo/semantics/acceptedVersion

Files

Original bundle

Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
giraldo_jmm_mach.pdf
Size:
986.04 KB
Format:
Adobe Portable Document Format