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The Material turn and interactive documentary: a panel

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dc.contributor.author Miles, Adrian
dc.contributor.author Sora Domenjó, Carles
dc.contributor.author Fretzner, Daniel
dc.contributor.author Aston, Judith
dc.date.accessioned 2018-01-17T16:36:31Z
dc.date.available 2018-01-17T16:36:31Z
dc.date.issued 2017
dc.identifier.citation Miles A, Sora C, Fretzner D, Aston J. The Material turn and interactive documentary: a panel. Miles A, editor. [Melbourne]: [School of Media and Communication, RMIT University]; 2017. 65 p. DOI: 10.5281/zenodo.1120447
dc.identifier.isbn 978–0–9924193–3–2
dc.identifier.uri http://hdl.handle.net/10230/33668
dc.description.abstract This work represents the documentation that emerged from a panel at the Visible Evidence XXIV documentary conference, held in Buenos Aires in 2017. The panel consisted of a series of propositions and interrogations of new epistemologies and ontologies for understanding interactive documentary through a materialist lens. These have been collected here, and the panel members invited to further develop their thinking in light of the panel. The work, as curated here, is deliberately between the tone of the presentation and a finished article. They are more formal than the former, and shorter and less refined than the latter. In this manner they are part of an ongoing experiment in alternative academic practices and forms that seek to open, critique, and revision scholarship as a black box.
dc.format.mimetype application/pdf
dc.language.iso eng
dc.publisher [School of Media and Communication, RMIT University]
dc.rights This work is licensed under a Creative Commons Attribution–NonCommerical–ShareAlike 4.0 International Licence, except where explicitly noted
dc.title The Material turn and interactive documentary: a panel
dc.type info:eu-repo/semantics/book
dc.identifier.doi http://dx.doi.org/10.5281/zenodo.1120447
dc.rights.accessRights info:eu-repo/semantics/openAccess
dc.type.version info:eu-repo/semantics/publishedVersion


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