Fuor di metafora: visione estetica e ontologia della differenza
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- dc.contributor.author Beistegui, Miguel de
- dc.date.accessioned 2024-03-08T07:13:33Z
- dc.date.available 2024-03-08T07:13:33Z
- dc.date.issued 2019
- dc.description.abstract This contribution is the translation of the first chapter of the second part of Miguel de Beistegui’s Aesthetics After Metaphysics. From Mimesis to Metaphor (Routledge, New York and Oxon 2012). In this section, Beistegui criticizes the apparent unbreakable bond between metaphor and metaphysics, reaching the conclusion that the main critiques that the second half of the 20th century posed against the role of metaphor in philosophy only face a weaken version of this powerful theoretical tool, namely the metaphor as a concept. By drawing attention to the complex Aristotelian definition of metaphor, Beistegui shows that Heidegger, Derrida and Deleuze missed the chance for a different use of metaphor, whose, as literature, poetry and visual arts found out, may open the space of the hypersensible.
- dc.format.mimetype application/pdf
- dc.identifier.citation Beistegui M. Fuor di metafora: visione estetica e ontologia della differenza. ODRADEK: studies in philosophy of literature, aesthetics, and new media theories. 2019;5(1):59-86.
- dc.identifier.issn 2465-1060
- dc.identifier.uri http://hdl.handle.net/10230/59358
- dc.language.iso ita
- dc.publisher University of Pisa
- dc.relation.ispartof ODRADEK: studies in philosophy of literature, aesthetics, and new media theories. 2019;5(1):59-86.
- dc.rights License Creative Commons Odradek. Studies in Philosophy of Literature, Aesthetics and New Media Theories is licensed under a Creative Commons attribution, non-commercial 4.0 International.
- dc.rights.accessRights info:eu-repo/semantics/openAccess
- dc.rights.uri https://creativecommons.org/licenses/by-nc/4.0/
- dc.title Fuor di metafora: visione estetica e ontologia della differenza
- dc.type info:eu-repo/semantics/article
- dc.type.version info:eu-repo/semantics/publishedVersion