To Shoot through Emotion, to Show Thought processes. The Montage of Film Fragments in the Creative Process

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  • dc.contributor.author Lucas, Gonzalo de
  • dc.date.accessioned 2024-10-17T08:47:31Z
  • dc.date.available 2024-10-17T08:47:31Z
  • dc.date.issued 2014
  • dc.date.modified 2015-03-09T17:07:41Z
  • dc.format text/html
  • dc.format application/pdf
  • dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/288755
  • dc.identifier 2604-9821
  • dc.identifier.uri http://hdl.handle.net/10230/62174
  • dc.language.iso eng
  • dc.publisher Universitat Pompeu Fabra
  • dc.relation.haspart Comparative Cinema, 2014, Núm. 5 (2014): Pedagogies of the creative process
  • dc.relation.haspart Comparative Cinema, 2014, No 5 (2014): Pedagogies of the creative process
  • dc.relation.haspart Comparative Cinema, 2014, Núm. 5 (2014): Pedagogies of the creative process
  • dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/288755/377122
  • dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/288755/411007
  • dc.rights.uri info:eu-repo/semantics/openAccess
  • dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
  • dc.subject.other Cinema en curs
  • dc.subject.other film excerpts
  • dc.subject.other comparative montage
  • dc.subject.other creative process
  • dc.subject.other transmission
  • dc.subject.other experience of the student
  • dc.subject.other emotion of the filmmaker and of the character
  • dc.subject.other cutting of shot
  • dc.subject.other external thought of the shot
  • dc.subject.other interior thought of the shot
  • dc.title To Shoot through Emotion, to Show Thought processes. The Montage of Film Fragments in the Creative Process
  • dc.type info:eu-repo/semantics/article
  • dc.type info:eu-repo/semantics/publishedVersion

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