Images to raise our gaze: Fragments from a conversation with Luis Ospina and Camilo Restrepo

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• dc.contributor.author Sourdis, Carolina
• dc.contributor.author Ospina, Luis
• dc.contributor.author Restrepo, Camilo
• dc.date.accessioned 2024-10-17T08:47:34Z
• dc.date.available 2024-10-17T08:47:34Z
• dc.date.issued 2019
• dc.date.modified 2019-12-03T09:56:39Z
• dc.description.abstract In this conversation, Luis Ospina and Camilo Restrepo, two filmmakers who personify two periods in Colombian cinema and history, reflect on the presence of dead bodies in cinema and, particularly, of corpses as a filmic matter in their respective works and poetics. On the basis of a similar questionnaire carried out simultaneously with each filmmaker, the text brings together common and dissonant motifs to outline a possible generational arc of Colombian cinema in which the cinematographic representation of the corpse is presented as a historiographical and political motif in order to carry out an interpretation of cinema and history.
• dc.description.abstract En esta conversación, Luis Ospina y Camilo Restrepo, dos cineastas que encarnan dos tiempos del cine y la historia colombiana, reflexionan sobre la presencia del cuerpo muerto en el cine y, particularmente, sobre el cadáver como materia fílmica en sus respectivas obras y poéticas. Partiendo de un cuestionario similar realizado en paralelo con cada cineasta, el texto recoge motivos comunes y disonantes para esbozar un posible arco generacional del cine colombiano donde la representación cinematográfica del cadáver se propone como motivo historiográfico y político para hacer una lectura del cine y la historia.
• dc.format application/pdf
• dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/360976
• dc.identifier 2604-9821
• dc.identifier 10.31009/cc.2019.v7.i13.06
• dc.identifier.uri http://hdl.handle.net/10230/62241
• dc.publisher Universitat Pompeu Fabra
• dc.relation.haspart Comparative Cinema, 2019, Vol. 7, Núm. 13 (2019): Notes for a historical study of corpses as cinematographic figures, p. 67-87, 139-153
• dc.relation.haspart Comparative Cinema, 2019, Vol 7, No 13 (2019): Notes for a historical study of corpses as cinematographic figures, p. 67-87, 139-153
• dc.relation.haspart Comparative Cinema, 2019, Vol. 7, Núm. 13 (2019): Notes for a historical study of corpses as cinematographic figures, p. 67-87, 139-153
• dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/360976/455819
• dc.rights.uri info:eu-repo/semantics/openAccess
• dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
• dc.subject.other CORPSE
• dc.subject.other HISTORY
• dc.subject.other MEMORY
• dc.subject.other COLOMBIAN CINEMA
• dc.subject.other VIOLENCE
• dc.subject.other BIPARTISAN VIOLENCE
• dc.subject.other FALSE POSITIVES
• dc.subject.other COLOMBIAN ARMED CONFLICT
• dc.title Images to raise our gaze: Fragments from a conversation with Luis Ospina and Camilo Restrepo
• dc.title Imágenes para levantar la vista: Fragmentos de una conversación con Luis Ospina y Camilo Restrepo
• dc.type info:eu-repo/semantics/article
• dc.type info:eu-repo/semantics/publishedVersion