THE NAKED AND THE DEAD: THE REPRESENTATION OF THE DEAD AND THE CONSTRUCTION OF THE OTHER IN CONTEMPORARY CINEMA: THE CASE OF M. NIGHT SHYAMALAN

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  • dc.contributor.author Pintor Iranzo, Iván
  • dc.date.accessioned 2024-10-17T09:04:56Z
  • dc.date.available 2024-10-17T09:04:56Z
  • dc.date.issued 2005
  • dc.date.modified 2012-07-27T16:30:18Z
  • dc.format application/pdf
  • dc.identifier http://www.raco.cat/index.php/Formats/article/view/257489
  • dc.identifier 2385-3697
  • dc.identifier.uri http://hdl.handle.net/10230/62999
  • dc.language.iso eng
  • dc.publisher Universitat Pompeu Fabra
  • dc.relation.haspart Formats: revista de comunicació audiovisual, 2005, 2005: Núm.: 4 Edició en anglès
  • dc.relation.haspart http://www.raco.cat/index.php/Formats/article/view/257489/344580
  • dc.rights.uri info:eu-repo/semantics/openAccess
  • dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
  • dc.title THE NAKED AND THE DEAD: THE REPRESENTATION OF THE DEAD AND THE CONSTRUCTION OF THE OTHER IN CONTEMPORARY CINEMA: THE CASE OF M. NIGHT SHYAMALAN
  • dc.type info:eu-repo/semantics/article
  • dc.type info:eu-repo/semantics/publishedVersion

Col·leccions

Any: 2005