Trusting the images. Science, photography and the world at hand

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  • dc.contributor.author Hispano, Andrés
  • dc.date.accessioned 2024-10-17T08:47:23Z
  • dc.date.available 2024-10-17T08:47:23Z
  • dc.date.issued 2018
  • dc.date.modified 2020-05-19T12:42:54Z
  • dc.description.abstract By examining the effect generated by modernity through which the real world is substituted, exposed and explained in terms of its fragmented, illusory representation (while at the same time transformed into a new truth), and from the points where the mechanical eye of photography meets that of cinema as instruments that generate new perceptions and findings regarding what is visible, the article reflects on the idea that seeing is not knowing, while focusing on the contributions of several pioneer filmmakers and scientists, and particularly on a comparison between Marey’s and Muybridge’s visual experiments.
  • dc.format application/pdf
  • dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/347264
  • dc.identifier 2604-9821
  • dc.identifier.uri http://hdl.handle.net/10230/61877
  • dc.language.iso mul
  • dc.publisher Universitat Pompeu Fabra
  • dc.relation.haspart Comparative Cinema, 2018, Vol. 6, Núm. 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 45-55
  • dc.relation.haspart Comparative Cinema, 2018, Vol 6, No 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 45-55
  • dc.relation.haspart Comparative Cinema, 2018, Vol. 6, Núm. 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 45-55
  • dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/347264/438446
  • dc.rights.uri info:eu-repo/semantics/openAccess
  • dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
  • dc.title Trusting the images. Science, photography and the world at hand
  • dc.type info:eu-repo/semantics/article
  • dc.type info:eu-repo/semantics/publishedVersion

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