FILLOL, Santiago. Historias de la desaparición. El cine desde Franz Kafka, Jacques Tourneur y David Lynch. (ENG/ESP)

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dc.contributor.authorMirizio, Annalisa
dc.date.accessioned2024-10-17T08:47:34Z
dc.date.available2024-10-17T08:47:34Z
dc.date.issued2019
dc.date.modified2019-12-02T17:31:37Z
dc.formatapplication/pdf
dc.identifierhttp://www.raco.cat/index.php/Comparativecinema/article/view/354651
dc.identifier2604-9821
dc.identifier.urihttp://hdl.handle.net/10230/62243
dc.language.isoeng
dc.publisherUniversitat Pompeu Fabra
dc.relation.haspartComparative Cinema, 2019, Vol. 7, Núm. 12 (2019): Iconographies in the public sphere. Fiction devices in the representation of power, p. 132-135
dc.relation.haspartComparative Cinema, 2019, Vol 7, No 12 (2019): Iconographies in the public sphere. Fiction devices in the representation of power, p. 132-135
dc.relation.haspartComparative Cinema, 2019, Vol. 7, Núm. 12 (2019): Iconographies in the public sphere. Fiction devices in the representation of power, p. 132-135
dc.relation.hasparthttp://www.raco.cat/index.php/Comparativecinema/article/view/354651/446632
dc.rights.uriinfo:eu-repo/semantics/openAccess
dc.source.uriRACO (Revistes Catalanes amb Accés Obert)
dc.titleFILLOL, Santiago. Historias de la desaparición. El cine desde Franz Kafka, Jacques Tourneur y David Lynch. (ENG/ESP)
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion

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