FILLOL, Santiago. Historias de la desaparición. El cine desde Franz Kafka, Jacques Tourneur y David Lynch. (ENG/ESP)

dc.contributor.author Mirizio, Annalisa
dc.date.accessioned 2024-10-17T08:47:34Z
dc.date.available 2024-10-17T08:47:34Z
dc.date.issued 2019
dc.date.modified 2019-12-02T17:31:37Z
dc.format application/pdf
dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/354651
dc.identifier 2604-9821
dc.identifier.uri http://hdl.handle.net/10230/62243
dc.language.iso eng
dc.publisher Universitat Pompeu Fabra
dc.relation.haspart Comparative Cinema, 2019, Vol. 7, Núm. 12 (2019): Iconographies in the public sphere. Fiction devices in the representation of power, p. 132-135
dc.relation.haspart Comparative Cinema, 2019, Vol 7, No 12 (2019): Iconographies in the public sphere. Fiction devices in the representation of power, p. 132-135
dc.relation.haspart Comparative Cinema, 2019, Vol. 7, Núm. 12 (2019): Iconographies in the public sphere. Fiction devices in the representation of power, p. 132-135
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/354651/446632
dc.rights.uri info:eu-repo/semantics/openAccess
dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
dc.title FILLOL, Santiago. Historias de la desaparición. El cine desde Franz Kafka, Jacques Tourneur y David Lynch. (ENG/ESP)
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion

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