Names are what you see when you look at things
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- dc.contributor.author Pena Morado, Alex
- dc.date.accessioned 2024-10-17T08:47:23Z
- dc.date.available 2024-10-17T08:47:23Z
- dc.date.issued 2018
- dc.date.modified 2020-05-19T12:42:54Z
- dc.description.abstract Starting from an analysis of the opposition of word and image, as proposed by Jean-Luc Godard in his works, we can detect the ever-present tension in the mise-en-scène of a literary text. When word precedes the creation of a film, it becomes a force that limits the filmmaker's possibilities, as well as directing the viewer's gaze. However, films such as those of Hollis Frampton and Guy Sherwin show language development as an enriching experience that makes it possible for people to discover the surrounding world, at the same time as it provides the viewer with a liberating tool with which to subvert the same power discourses that are produced by words.
- dc.format application/pdf
- dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/347266
- dc.identifier 2604-9821
- dc.identifier.uri http://hdl.handle.net/10230/61883
- dc.language.iso mul
- dc.publisher Universitat Pompeu Fabra
- dc.relation.haspart Comparative Cinema, 2018, Vol. 6, Núm. 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 72-84
- dc.relation.haspart Comparative Cinema, 2018, Vol 6, No 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 72-84
- dc.relation.haspart Comparative Cinema, 2018, Vol. 6, Núm. 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 72-84
- dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/347266/438448
- dc.rights.uri info:eu-repo/semantics/openAccess
- dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
- dc.title Names are what you see when you look at things
- dc.type info:eu-repo/semantics/article
- dc.type info:eu-repo/semantics/publishedVersion