Names are what you see when you look at things

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dc.contributor.authorPena Morado, Alex
dc.date.accessioned2024-10-17T08:47:23Z
dc.date.available2024-10-17T08:47:23Z
dc.date.issued2018
dc.date.modified2020-05-19T12:42:54Z
dc.description.abstractStarting from an analysis of the opposition of word and image, as proposed by Jean-Luc Godard in his works, we can detect the ever-present tension in the mise-en-scène of a literary text. When word precedes the creation of a film, it becomes a force that limits the filmmaker's possibilities, as well as directing the viewer's gaze. However, films such as those of Hollis Frampton and Guy Sherwin show language development as an enriching experience that makes it possible for people to discover the surrounding world, at the same time as it provides the viewer with a liberating tool with which to subvert the same power discourses that are produced by words.
dc.formatapplication/pdf
dc.identifierhttp://www.raco.cat/index.php/Comparativecinema/article/view/347266
dc.identifier2604-9821
dc.identifier.urihttp://hdl.handle.net/10230/61883
dc.language.isomul
dc.publisherUniversitat Pompeu Fabra
dc.relation.haspartComparative Cinema, 2018, Vol. 6, Núm. 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 72-84
dc.relation.haspartComparative Cinema, 2018, Vol 6, No 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 72-84
dc.relation.haspartComparative Cinema, 2018, Vol. 6, Núm. 11 (2018): Research into vision. Histories of cinema starting from Marey, p. 72-84
dc.relation.hasparthttp://www.raco.cat/index.php/Comparativecinema/article/view/347266/438448
dc.rights.uriinfo:eu-repo/semantics/openAccess
dc.source.uriRACO (Revistes Catalanes amb Accés Obert)
dc.titleNames are what you see when you look at things
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion

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