Critical films were possible only on (or in collaboration with) television

dc.contributor.author Fassbinder, Rainer Werner
dc.date.accessioned 2024-10-17T08:47:24Z
dc.date.available 2024-10-17T08:47:24Z
dc.date.issued 2015
dc.date.modified 2016-04-22T17:51:36Z
dc.format text/html
dc.format application/pdf
dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/307812
dc.identifier 2604-9821
dc.identifier.uri http://hdl.handle.net/10230/61915
dc.language.iso eng
dc.publisher Universitat Pompeu Fabra
dc.relation.haspart Comparative Cinema, 2015, Núm. 7 (2015): How Filmmakers Think TV
dc.relation.haspart Comparative Cinema, 2015, No 7 (2015): How Filmmakers Think TV
dc.relation.haspart Comparative Cinema, 2015, Núm. 7 (2015): How Filmmakers Think TV
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/307812/397791
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/307812/410822
dc.rights.uri info:eu-repo/semantics/openAccess
dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
dc.title Critical films were possible only on (or in collaboration with) television
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion

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