‘Le Trafic du cinéma’: On the Relationship between Criticism and Collective Programming Through a Publication; the Case of Trafic and the Jeu de Paume

dc.contributor.author Ganzo, Fernando
dc.date.accessioned 2024-10-17T08:47:32Z
dc.date.available 2024-10-17T08:47:32Z
dc.date.issued 2012
dc.date.modified 2013-07-09T17:12:16Z
dc.format text/html
dc.format application/pdf
dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/266144
dc.identifier 2604-9821
dc.identifier.uri http://hdl.handle.net/10230/62225
dc.language.iso cat
dc.publisher Universitat Pompeu Fabra
dc.relation.haspart Comparative Cinema, 2012, Núm. 1 (2012): Programming/montage
dc.relation.haspart Comparative Cinema, 2012, No 1 (2012): Programming/montage
dc.relation.haspart Comparative Cinema, 2012, Núm. 1 (2012): Programming/montage
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/266144/353770
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/266144/411172
dc.rights.uri info:eu-repo/semantics/openAccess
dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
dc.title ‘Le Trafic du cinéma’: On the Relationship between Criticism and Collective Programming Through a Publication; the Case of Trafic and the Jeu de Paume
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion

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