‘Le Trafic du cinéma’: On the Relationship between Criticism and Collective Programming Through a Publication; the Case of Trafic and the Jeu de Paume

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dc.contributor.authorGanzo, Fernando
dc.date.accessioned2024-10-17T08:47:32Z
dc.date.available2024-10-17T08:47:32Z
dc.date.issued2012
dc.date.modified2013-07-09T17:12:16Z
dc.formattext/html
dc.formatapplication/pdf
dc.identifierhttp://www.raco.cat/index.php/Comparativecinema/article/view/266144
dc.identifier2604-9821
dc.identifier.urihttp://hdl.handle.net/10230/62225
dc.language.isocat
dc.publisherUniversitat Pompeu Fabra
dc.relation.haspartComparative Cinema, 2012, Núm. 1 (2012): Programming/montage
dc.relation.haspartComparative Cinema, 2012, No 1 (2012): Programming/montage
dc.relation.haspartComparative Cinema, 2012, Núm. 1 (2012): Programming/montage
dc.relation.hasparthttp://www.raco.cat/index.php/Comparativecinema/article/view/266144/353770
dc.relation.hasparthttp://www.raco.cat/index.php/Comparativecinema/article/view/266144/411172
dc.rights.uriinfo:eu-repo/semantics/openAccess
dc.source.uriRACO (Revistes Catalanes amb Accés Obert)
dc.title‘Le Trafic du cinéma’: On the Relationship between Criticism and Collective Programming Through a Publication; the Case of Trafic and the Jeu de Paume
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion

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