Gomes, Leandro de C.T.Cano Vila, PedroGómez Gutiérrez, Emilia, 1975-Bonnet, MadeleineBatlle i Mont, Eloi2019-06-282019-06-282003Gomes L, Cano P, Gómez E, Bonnet M, Batlle E. Audio watermarking and fingerprinting for which applications?. J New Music Res. 2003;32(1):65-81. DOI: 10.1076/jnmr.32.1.65.168030929-8215http://hdl.handle.net/10230/41896Although not a new issue, music piracy has acquired a new status in the digital era, as recordings can be easily copied and distributed. Watermarking has been proposed as a solution to this problem. It consists in embedding into the audio signal an inaudible mark containing copyright information. A different approach, called fingerprinting, consists in extracting a ?fingerprint? from the audio signal. In association with a database, this fingerprint can be used to identify a recording, which is useful, for example, to monitor audio excerpts played by broadcasters and webcasters. There are far more applications to watermarking and fingerprinting. After a brief technical review, this article describes potential applications of both methodologies, showing which one is more suitable for each application.application/pdfeng© This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of new music research on 2003, available online: http://www.tandfonline.com/10.1076/jnmr.32.1.65.16803info:eu-repo/semantics/articlehttp://dx.doi.org/10.1076/jnmr.32.1.65.16803info:eu-repo/semantics/openAccess