Motivic analysis and its relevance to raga identification in carnatic music
| dc.contributor.author | Bellur, Ashwin | ca |
| dc.contributor.author | Ishwar, Vignesh | ca |
| dc.contributor.author | Murthy, Hema A. | ca |
| dc.date.accessioned | 2013-02-13T10:45:16Z | |
| dc.date.available | 2013-02-13T10:45:16Z | |
| dc.date.issued | 2012 | ca |
| dc.description.abstract | A raga is a collective melodic expression consisting of motifs. A raga can be identified using motifs which are/nunique to it. Motifs can be thought of as signature prosodic phrases. Different ragas may be composed of the same set/nof notes, or even phrases, but the prosody may be completely different. In this paper, an attempt is made to determine/nthe characteristic motifs that enable identification of a raga and distinguish between them. To determine this, motifs are first manually marked for a set of five popular raga by a professional musician. The motifs are then normalised/nwith respect to the tonic. HMMs are trained for each motif using 80% of the data and about 20% are used for testing. The results do indicate that about 80% of the motifs are identified as belonging to a specific raga accurately. | en |
| dc.description.sponsorship | This research was partly funded by the European Research Council under the European Union’s Seventh Framework Program, as part of the CompMusic project (ERC grant/nagreement 267583). | |
| dc.format.extent | 5 p. | |
| dc.format.mimetype | application/pdf | ca |
| dc.identifier.citation | Ishwar V, Bellur A, Murthy H. Motivic analysis and its relevance to Raga identification in carnatic music. In: Serra X, Rao P, Murthy H, Bozkurt B, editors. Proceedings of the 2nd CompMusic Workshop; 2012 Jul 12-13; Istanbul, Turkey. Barcelona: Universitat Pompeu Fabra; 2012. p. 153-157 | ca |
| dc.identifier.uri | http://hdl.handle.net/10230/20366 | |
| dc.language.iso | eng | ca |
| dc.publisher | Universitat Pompeu Fabra | ca |
| dc.relation.ispartof | Serra X, Rao P, Murthy H, Bozkurt B, editors. Proceedings of the 2nd CompMusic Workshop; 2012 Jul 12-13; Istanbul, Turkey. Barcelona: Universitat Pompeu Fabra; 2012. p. 153-157 | |
| dc.relation.projectID | info:eu-repo/grantAgreement/EC/FP7/267583 | |
| dc.rights | © 2012 Vignesh Ishwar et al. This is an open-access article distributed/nunder the terms of the Creative Commons Attribution 3.0 Unported License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. | ca |
| dc.rights.accessRights | info:eu-repo/semantics/openAccess | ca |
| dc.rights.uri | http://creativecommons.org/licenses/by/3.0/ | |
| dc.subject.other | Música -- Índia | |
| dc.subject.other | Música -- Anàlisi | |
| dc.title | Motivic analysis and its relevance to raga identification in carnatic music | ca |
| dc.type | info:eu-repo/semantics/conferenceObject | ca |
| dc.type.version | info:eu-repo/semantics/publishedVersion | ca |
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