Blaming the Poor: The False Allure of the Capitalist Critique in the Age of Postmodernism

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• dc.contributor.author Walderzak, Joseph
• dc.date.accessioned 2024-10-17T08:47:36Z
• dc.date.available 2024-10-17T08:47:36Z
• dc.date.issued 2020
• dc.date.modified 2020-05-22T17:40:29Z
• dc.description.abstract This article considers The Dark Knight Rises (Christopher Nolan, 2012) in order to argue through Fredric Jameson that postmodern aspects of a text are capable of obfuscating, if not altogether obliterating, any Marxist polemics. The first portion engages with Jameson’s The Political Unconscious, particularly his emphasis on class struggle and identification of ideologemes which manifest in the text. The subsequent section considers The Dark Knight Rises as a postmodern text through Jameson’s concepts of pastiche and nostalgia. Moreover, The Dark Knight Rises is contextualizedwithin the recent spate of class-oriented cinema. Collectively, the goal is to identify a trend within such films of establishing a correlation between capitalism and inequality, ideologemes and postmodernism. The final result is an increasingly impressive group of genre-spanning films which address contemporary inequality in its multifarious forms, but which treat these issues more so as narrative devices than tenable critiques of the sites of oppression.
• dc.format application/pdf
• dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/368998
• dc.identifier 2604-9821
• dc.identifier 10.31009/cc.2020.v8.i14.03
• dc.identifier.uri http://hdl.handle.net/10230/62261
• dc.publisher Universitat Pompeu Fabra
• dc.relation.haspart Comparative Cinema, 2020, Vol. 8, Núm. 14 (2020): Imagining the Techno-Capitalist Society in Television and Film, p. 33-45
• dc.relation.haspart Comparative Cinema, 2020, Vol 8, No 14 (2020): Imagining the Techno-Capitalist Society in Television and Film, p. 33-45
• dc.relation.haspart Comparative Cinema, 2020, Vol. 8, Núm. 14 (2020): Imagining the Techno-Capitalist Society in Television and Film, p. 33-45
• dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/368998/462818
• dc.rights.uri Drets d'autor 2020 Comparative Cinema
• dc.rights.uri https://creativecommons.org/licenses/by-nc-sa/4.0/
• dc.rights.uri info:eu-repo/semantics/openAccess
• dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
• dc.subject.other FILM STUDIES
• dc.subject.other FREDRIC JAMESON
• dc.subject.other CLASS ANALYSIS
• dc.subject.other SCIENCE FICTION FILMS
• dc.subject.other GENRE STUDIES
• dc.subject.other MARXIST ANALYSIS
• dc.subject.other CLASS IDEOLOGY
• dc.subject.other FILM ANALYSIS
• dc.title Blaming the Poor: The False Allure of the Capitalist Critique in the Age of Postmodernism
• dc.type info:eu-repo/semantics/article
• dc.type info:eu-repo/semantics/publishedVersion