Assessing the tuning of sung indian classical music
Assessing the tuning of sung indian classical music
Citació
- Serrà J, Koduri GK, Miron M, Serra X. Assessing the tuning of sung indian classical music. In: Klapuri A, Leider C, editors. ISMIR 2011: Proceedings of the 12th International Society for Music Information Retrieval Conference; 2011 October 24 - 28; Miami, Florida (USA). Miami: University of Miami; 2011. p.157-162.
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Resum
The issue of tuning in Indian classical music has been, historically,/na matter of theoretical debate. In this paper, we/nstudy its contemporary practice in sung performances of Carnatic/nand Hindustani music following an empiric and quantitative/napproach. To do so, we select stable fundamental frequencies,/nestimated via a standard algorithm, and construct/ninterval histograms from a pool of recordings. We then compare/nsuch histograms against the ones obtained for different/nmusic sources and against the theoretical values derived/nfrom 12-note just intonation and equal temperament. Our/nresults evidence that the tunings in Carnatic and Hindustani/nmusic differ, the former tending to a just intonation system/nand the latter having much equal-tempered influences. Carnatic/nmusic also presents signs of a more continuous distribution/nof pitches. Further subdivisions of the octave are/npartially investigated, finding no strong evidence of them.