Documenting faith: physical devotion in Werner Herzog’s Pilgrimage (2001) and Wheel of time (2003)

Poch, Chantal

doi:http://dx.doi.org/10.1515/culture-2019-0004

Documenting faith: physical devotion in Werner Herzog’s Pilgrimage (2001) and Wheel of time (2003)

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Citation

Poch C. Documenting faith: physical devotion in Werner Herzog’s Pilgrimage (2001) and Wheel of time (2003). Open Cultural Studies. 2019 Feb;3(1):39-46. DOI: 10.1515/culture-2019-0004

Abstract

To make visible the invisible has always been a key challenge to film. This paper will study how German director Werner Herzog, a regular explorer of the material / spiritual dichotomy, has managed to visualize something as invisible as faith in his documentaries Pilgrimage (2001) and Wheel of Time (2003). By identifying a strong narrative and aesthetic focus on gesture, we will work on a possible reading on physical devotion as a contemporary substitute to sacrifice. Gesture, then, will become not only the visible translation of what we will argue is represented as a natural and universal faith, but also the apparatus enabling the feeling of the sacred.