From imperfect to popular cinema

dc.contributor.author Alzuguir Gutierrez, Maria
dc.date.accessioned 2024-10-17T08:47:22Z
dc.date.available 2024-10-17T08:47:22Z
dc.date.issued 2017
dc.date.modified 2017-07-18T17:11:22Z
dc.format text/html
dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/327287
dc.identifier 2604-9821
dc.identifier.uri http://hdl.handle.net/10230/61851
dc.language.iso eng
dc.publisher Universitat Pompeu Fabra
dc.relation.haspart Comparative Cinema, 2017, Núm. 9 (2017): Eztetyka
dc.relation.haspart Comparative Cinema, 2017, No 9 (2017): Eztetyka
dc.relation.haspart Comparative Cinema, 2017, Núm. 9 (2017): Eztetyka
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/327287/417775
dc.rights.uri info:eu-repo/semantics/openAccess
dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
dc.subject.other Imperfect Cinema
dc.subject.other Popular Cinema
dc.subject.other Julio García Espinosa
dc.subject.other Cuban Cinema
dc.subject.other Filmmakers’ Theory
dc.subject.other Latin America
dc.title From imperfect to popular cinema
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion

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