From imperfect to popular cinema

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dc.contributor.authorAlzuguir Gutierrez, Maria
dc.date.accessioned2024-10-17T08:47:22Z
dc.date.available2024-10-17T08:47:22Z
dc.date.issued2017
dc.date.modified2017-07-18T17:11:22Z
dc.formattext/html
dc.identifierhttp://www.raco.cat/index.php/Comparativecinema/article/view/327287
dc.identifier2604-9821
dc.identifier.urihttp://hdl.handle.net/10230/61851
dc.language.isoeng
dc.publisherUniversitat Pompeu Fabra
dc.relation.haspartComparative Cinema, 2017, Núm. 9 (2017): Eztetyka
dc.relation.haspartComparative Cinema, 2017, No 9 (2017): Eztetyka
dc.relation.haspartComparative Cinema, 2017, Núm. 9 (2017): Eztetyka
dc.relation.hasparthttp://www.raco.cat/index.php/Comparativecinema/article/view/327287/417775
dc.rights.uriinfo:eu-repo/semantics/openAccess
dc.source.uriRACO (Revistes Catalanes amb Accés Obert)
dc.subject.otherImperfect Cinema
dc.subject.otherPopular Cinema
dc.subject.otherJulio García Espinosa
dc.subject.otherCuban Cinema
dc.subject.otherFilmmakers’ Theory
dc.subject.otherLatin America
dc.titleFrom imperfect to popular cinema
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion

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