The Politics of Nostalgia: Colorization, Spectatorship and the Archive
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- dc.contributor.author Watkins, Liz
- dc.date.accessioned 2024-10-17T08:47:36Z
- dc.date.available 2024-10-17T08:47:36Z
- dc.date.issued 2021
- dc.date.modified 2021-12-19T20:46:49Z
- dc.description.abstract Colorization describes the digitization and retrospective addition of color to photographic and film materials (celluloid nitrate, glass negatives) initially made and circulated in a black-and-white format. Revisiting the controversial 1980s colorization of 24 classic Hollywood studio titles, which incited debate over questions of copyright, authorship and artistic expression, this essay examines the use of colorization to interpret museum collections for new audiences. The aesthetics of colorization have been criticized for prioritizing image content over the history of film technologies, practices and exhibition. An examination of They Shall Not Grow Old (Jackson, 2018) finds a use of digital editing and coloring techniques in the colorization of First World War film footage held in the Imperial War Museum archives that is familiar to the director’s fiction films. Jackson’s film is a commemorative project, yet the “holistic unity” of authorial technique operates across fragments of archive film and photographs to imbricate of fiction and nonfiction, signaling vital questions around the ethics and ideologies of “natural color”, historiography, and the authenticity of materials and spectator experience.
- dc.format application/pdf
- dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/387893
- dc.identifier 2604-9821
- dc.identifier 10.31009/cc.2021.v9.i17.07
- dc.identifier.uri http://hdl.handle.net/10230/62282
- dc.publisher Universitat Pompeu Fabra
- dc.relation.haspart Comparative Cinema, 2021, Vol. 9, Núm. 17 (2021): Color Contrast. Chromatic Connections in Cinema, p. 123-145
- dc.relation.haspart Comparative Cinema, 2021, Vol 9, No 17 (2021): Color Contrast. Chromatic Connections in Cinema, p. 123-145
- dc.relation.haspart Comparative Cinema, 2021, Vol. 9, Núm. 17 (2021): Color Contrast. Chromatic Connections in Cinema, p. 123-145
- dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/387893/487736
- dc.rights.uri Drets d'autor 2021 Comparative Cinema
- dc.rights.uri https://creativecommons.org/licenses/by-nc-sa/4.0/
- dc.rights.uri info:eu-repo/semantics/openAccess
- dc.source.uri RACO (Revistes Catalanes amb Accés Obert)
- dc.subject.other Color
- dc.subject.other Colorization
- dc.subject.other Archival images
- dc.subject.other Photography
- dc.subject.other First World War
- dc.subject.other Peter Jackson
- dc.title The Politics of Nostalgia: Colorization, Spectatorship and the Archive
- dc.type info:eu-repo/semantics/article
- dc.type info:eu-repo/semantics/publishedVersion