On the interrelation between listener characteristics and the perception of emotion in classical orchestra music
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- dc.contributor.author Schedl, Markus
- dc.contributor.author Gómez Gutiérrez, Emilia, 1975-
- dc.contributor.author Trent, Erika S.
- dc.contributor.author Tkalčič, Marko
- dc.contributor.author Eghbal-Zadeh, Hamid
- dc.contributor.author Martorell Domínguez, Agustín
- dc.date.accessioned 2020-02-18T08:49:44Z
- dc.date.available 2020-02-18T08:49:44Z
- dc.date.issued 2017
- dc.description.abstract This study deals with the strong relationship between emotions and music, investigating three main research questions: (RQ1) Are there differences in human music perception (e.g., emotions, tempo, instrumentation, and complexity), according to musical education, experience, demographics, and personality traits?; (RQ2) Do certain perceived music characteristics correlate (e.g., tension and sadness), irrespective of a particular listener's background or personality?; (RQ3) Does human perception of music characteristics, such as emotions and tempo, correlate with descriptors extracted from music audio signals? To investigate our research questions, we conducted two user studies focusing on different groups of subjects. We used web-based surveys to collect information about demographics, listening habits, musical education, personality, and perceptual ratings with respect to perceived emotions, tempo, complexity, and instrumentation for 15 segments of Beethoven's 3rd symphony, “Eroica”. Our experiments showed that all three research questions can be affirmed, at least partly. We found strong support for RQ2 and RQ3, while RQ1 could be confirmed only for some perceptual aspects and user groups.
- dc.description.sponsorship This research is supported by the EU-FP7 project no. 601166 (“PHENICX”), the Austrian Science Fund (FWF): P25655 and the Spanish Government (CASAS project TIN2015-70816-R).
- dc.format.mimetype application/pdf
- dc.identifier.citation Schedl M, Gómez E, Trent E, Tkalcic M, Eghbal-Zadeh H, Martorell A. On the interrelation between listener characteristics and the perception of emotion in classical orchestra music. IEEE Trans Affect Comput. 2017;9(4):507-25. DOI: 10.1109/TAFFC.2017.2663421
- dc.identifier.doi http://dx.doi.org/10.1109/TAFFC.2017.2663421
- dc.identifier.issn 1949-3045
- dc.identifier.uri http://hdl.handle.net/10230/43629
- dc.language.iso eng
- dc.publisher Institute of Electrical and Electronics Engineers (IEEE)
- dc.relation.ispartof IEEE Transactions on Affective Computing. 2017;9(4):507-25.
- dc.relation.isreferencedby http://mtg.upf.edu/download/datasets/phenicx-emotion
- dc.relation.projectID info:eu-repo/grantAgreement/EC/FP7/601166
- dc.relation.projectID info:eu-repo/grantAgreement/ES/1PE/TIN2015-70816-R
- dc.rights © 2017 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other uses, in any current or future media, including reprinting/republishing this material for advertising or promotional purposes, creating new collective works, for resale or redistribution to servers or lists, or reuse of any copyrighted component of this work in other works. http://dx.doi.org/10.1109/TAFFC.2017.2663421
- dc.rights.accessRights info:eu-repo/semantics/openAccess
- dc.subject.keyword Emotion perception in music
- dc.subject.keyword Classical music
- dc.subject.keyword Audio analysis
- dc.subject.keyword Personality
- dc.subject.keyword User study
- dc.subject.keyword Agreement and correlation in music perception
- dc.title On the interrelation between listener characteristics and the perception of emotion in classical orchestra music
- dc.type info:eu-repo/semantics/article
- dc.type.version info:eu-repo/semantics/acceptedVersion