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dc.contributor.author Souza Soares, Victor de
dc.date.accessioned 2021-12-20T15:14:00Z
dc.date.available 2021-12-20T15:14:00Z
dc.date.issued 2019
dc.identifier http://www.raco.cat/index.php/Forma/article/view/361632
dc.identifier.uri http://hdl.handle.net/10230/49939
dc.description.abstract This is a brief study on contemporary practices of sound and listening among the Geraizeiros, a traditional rural population of Central Brazil. Drawing on the ideas of sound transduction and sonic memory, I analyze the role of local technological increment, in general, and of audiovisual production and circulation, in particular, within contemporary processes of production and affirmation of “Geraizeiro tradition”. My discussion focuses on how, by reviving, resignifying, and sonically mediating erstwhile extinct or endangered soundmarks and sound practices, the Geraizeiros affirm and perform their traditionality. Furthermore, I analyze in which ways newly introduced technologies of sound, such as smartphones and loudspeakers, have become an essential tool in the promotion, diffusion and resignification of allegedly traditional practices. Finally, I discuss their performances of traditionality in relation to Geraizeiro contemporary environmental and sociopolitical agendas.
dc.format application/pdf
dc.publisher Universitat Pompeu Fabra
dc.relation.haspart http://www.raco.cat/index.php/Forma/article/view/361632/456256
dc.source.uri Forma: revista d'estudis comparatius. Art, literatura, pensament; Núm. 18 (2019): VER Y OÍR EN AMÉRICA LATINA: LA (DES)ARTICULACIÓN DE UN (SUB)CONTINENTE; 106-120
dc.source.uri 2013-7761
dc.subject.other Geraizeiros, traditionality, sonic memory, transduction, countryside Brazil
dc.title “MY BIRD IS RINGING!”
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion
dc.type ##rt.metadata.pkp.peerReviewed##
dc.date.modified 2019-12-18T19:54:29Z


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