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dc.contributor.author Lucas, Gonzalo de
dc.date.accessioned 2021-12-20T14:37:24Z
dc.date.available 2021-12-20T14:37:24Z
dc.date.issued 2013
dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/271965
dc.identifier.uri http://hdl.handle.net/10230/49669
dc.format text/html
dc.format application/pdf
dc.language.iso cat
dc.publisher Universitat Pompeu Fabra
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/271965/359843
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/271965/411089
dc.source.uri Comparative Cinema; Núm. 3 (2013): Words as images, the voice over
dc.source.uri Comparative Cinema; No 3 (2013): Words as images, the voice over
dc.source.uri Comparative Cinema; Núm. 3 (2013): Words as images, the voice over
dc.source.uri 2604-9821
dc.subject.other Filmmaker’s voice
dc.subject.other Essay-film
dc.subject.other Editing
dc.subject.other Image / cliché
dc.subject.other Sound and word
dc.subject.other Political cinema
dc.subject.other Interruption
dc.subject.other Creative process
dc.subject.other Principle of not knowing
dc.title Ars poetica. The Filmmaker's Voice
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion
dc.date.modified 2014-01-16T16:59:28Z


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