dc.contributor.author |
Bethencourt Reyes, Himar |
dc.date.accessioned |
2021-12-20T14:36:52Z |
dc.date.available |
2021-12-20T14:36:52Z |
dc.date.issued |
2020 |
dc.identifier |
http://www.raco.cat/index.php/Comparativecinema/article/view/369012 |
dc.identifier.uri |
http://hdl.handle.net/10230/49422 |
dc.format |
application/pdf |
dc.publisher |
Universitat Pompeu Fabra |
dc.relation.haspart |
http://www.raco.cat/index.php/Comparativecinema/article/view/369012/462825 |
dc.rights.uri |
Drets d'autor 2020 Comparative Cinema |
dc.rights.uri |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
dc.source.uri |
Comparative Cinema; Vol. 8, Núm. 14 (2020): ; 86-88 |
dc.source.uri |
Comparative Cinema; Vol 8, No 14 (2020): Imagining the Techno-Capitalist Society in Television and Film; 86-88 |
dc.source.uri |
Comparative Cinema; Vol. 8, Núm. 14 (2020): ; 86-88 |
dc.source.uri |
2604-9821 |
dc.title |
Oter, Jorge and Santos Zunzunegui. eds. 2019. Ensayos de poética. Miradas sobre el contacto entre el cine y la poesía. |
dc.type |
info:eu-repo/semantics/article |
dc.type |
info:eu-repo/semantics/publishedVersion |
dc.date.modified |
2020-05-22T17:40:29Z |