Browsing by Author "Gómez Gutiérrez, Emilia, 1975-"

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  • Pauwels, Johan; O’Hanlon, Ken; Gómez Gutiérrez, Emilia, 1975-; Sandler, Mark (International Society for Music Information Retrieval (ISMIR), 2019)
    In 1999, Fujishima published Realtime Chord Recognition of Musical Sound: a System using Common Lisp Music. This paper kickstarted an active research topic that has been popular in and around the ISMIR community. The field ...
  • Porcaro, Lorenzo; Gómez Gutiérrez, Emilia, 1975- (International Society for Music Information Retrieval (ISMIR), 2019)
    Grouping songs together, according to music preferences, mood or other characteristics, is an activity which reflects personal listening behaviours and tastes. In the last two decades, due to the increasing size of music ...
  • Bosch, Juan J.; Bittner, Rachel M.; Salamon, Justin; Gómez Gutiérrez, Emilia, 1975- (International Society for Music Information Retrieval (ISMIR), 2016)
    This work explores the use of source-filter models for pitch/nsalience estimation and their combination with different/npitch tracking and voicing estimation methods for automatic/nmelody extraction. Source-filter models ...
  • Chandna, Pritish; Cuesta, Helena; Petermann, Darius; Gómez Gutiérrez, Emilia, 1975- (Frontiers, 2022)
    Choral singing in the soprano, alto, tenor and bass (SATB) format is a widely practiced and studied art form with significant cultural importance. Despite the popularity of the choral setting, it has received little attention ...
  • Cuesta, Helena; Gómez Gutiérrez, Emilia, 1975-; Chandna, Pritish (Sound and Music Computing, 2019)
    Fundamental frequency (f0) modeling is an important but relatively unexplored aspect of choir singing. Performance evaluation as well as auditory analysis of singing, whether individually or in a choir, often depend on ...
  • Porcaro, Lorenzo; Gómez Gutiérrez, Emilia, 1975- (CEUR Workshop Proceedings, 2019)
    Listening to music radios is an activity that since the 20th century is part of the cultural habits for people all over the world. While in the case of analog radios DJs are in charge of selecting the music to be ...
  • Gómez Gutiérrez, Emilia, 1975-; Streich, Sebastian; Ong, Bee Suan; Paiva, Rui Pedro; Tappert, Sven; Batke, Jan-Mark; Poliner, Graham; Ellis, Daniel P. W.; Bello, Juan Pablo (Universitat Pompeu Fabra, 2006)
    This paper provides an overview of current state-of-the-art approaches for melody extraction from polyphonic audio recordings, and it proposes a methodology for the quantitative evaluation of melody extraction algorithms. ...
  • Chandna, Pritish; Blaauw, Merlijn; Bonada, Jordi, 1973-; Gómez Gutiérrez, Emilia, 1975- (Institute of Electrical and Electronics Engineers (IEEE), 2019)
    This paper presents a novel method for extracting the vocal track from a musical mixture. The musical mixture consists of a singing voice and a backing track which may comprise of various instruments. We use a convolutional ...
  • Yesiler, Furkan; Serrà Julià, Joan; Gómez Gutiérrez, Emilia, 1975- (Institute of Electrical and Electronics Engineers (IEEE), 2020)
    The version identification (VI) task deals with the automatic detection of recordings that correspond to the same underlying musical piece. Despite many efforts, VI is still an open problem, with much room for improvement, ...
  • Fonseca, Eduardo; Gong, Rong; Bogdanov, Dmitry; Slizovskaia, Olga; Gómez Gutiérrez, Emilia, 1975-; Serra, Xavier (Tampere University of Technology, 2017)
    This work describes our contribution to the acoustic scene classifi- cation task of the DCASE 2017 challenge. We propose a system that consists of the ensemble of two methods of different nature: a feature engineering ...
  • Schedl, Markus; Eghbal-Zadeh, Hamid; Gómez Gutiérrez, Emilia, 1975-; Tkalčič, Marko (International Society for Music Information Retrieval (ISMIR), 2016)
    We present a study, carried out on 241 participants, which investigates on classical music material the agreement of listeners on perceptual music aspects (related to emotion, tempo, complexity, and instrumentation) and ...
  • Salamon, Justin; Bittner, Rachel M.; Bonada, Jordi, 1973-; Bosch, Juan J.; Gómez Gutiérrez, Emilia, 1975-; Bello, Juan Pablo (International Society for Music Information Retrieval (ISMIR), 2017)
    Generating continuous f0 annotations for tasks such as melody extraction and multiple f0 estimation typically involves running a monophonic pitch tracker on each track of a multitrack recording and manually correcting ...
  • Cuesta, Helena; Gómez Gutiérrez, Emilia, 1975-; Martorell Domínguez, Agustín; Loáiciga, Felipe (2018)
    Choir singers synchronize their fundamental frequency (f0) and timing when they perform together. In this work, we investigate several expressive characteristics of choir singing, with special emphasis on unison ...
  • Valero-Mas, Jose J.; Salamon, Justin; Gómez Gutiérrez, Emilia, 1975- (Maynooth University, 2015)
    Query-by-Humming (QBH) systems base their operation on aligning the melody sung/hummed by a user with a set of candidate melodies retrieved from polyphonic songs. While MIDI-based QBH builds on the premise of ...
  • Yesiler, Furkan; Serrà, Joan; Miron, Marius; Gómez Gutiérrez, Emilia, 1975- (ACM Association for Computer Machinery, 2022)
    Version identification (VI) systems now offer accurate and scalable solutions for detecting different renditions of a musical composition, allowing the use of these systems in industrial applications and throughout the ...
  • Gomes, Leandro de C.T.; Cano Vila, Pedro; Gómez Gutiérrez, Emilia, 1975-; Bonnet, Madeleine; Batlle i Mont, Eloi (Taylor & Francis, 2003)
    Although not a new issue, music piracy has acquired a new status in the digital era, as recordings can be easily copied and distributed. Watermarking has been proposed as a solution to this problem. It consists in embedding ...
  • Puiggròs, Montserrat; Gómez Gutiérrez, Emilia, 1975-; Ramírez, Rafael,1966-; Serra, Xavier; Bresin, Roberto (Bononia University Press, 2006)
    Expressive performance characterization is traditionally based on the analysis of the main differences between performances, players, playing styles and emotional intentions. This work addresses the characterization of ...
  • Slizovskaia, Olga; Gómez Gutiérrez, Emilia, 1975-; Haro Ortega, Gloria (Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4), Hochschule für Musik und Theater Hamburg, 2016)
    The goal of this work is to incorporate the visual modality into a musical instrument recognition system. For that, we first evaluate state-of-the-art image recognition techniques in the context of music instrument ...
  • Rodríguez, Sonia; Gómez Gutiérrez, Emilia, 1975-; Cuesta, Helena (Folk Music Analysis, 2018)
    This work deals with the automatic transcription and characterization of flamenco guitar, with a focus on short melodic interludes improvised between sung verses. These are called falsetas in the flamenco argot and are ...
  • Kroher, Nadine; Gómez Gutiérrez, Emilia, 1975- (Institute of Electrical and Electronics Engineers (IEEE), 2016)
    Automatic note-level transcription is considered one of the most challenging tasks in music information retrieval. The specific case of flamenco singing transcription poses a particular challenge due to its complex melodic ...

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