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Browsing Articles (Departament de Tecnologies de la Informació i les Comunicacions) by Author "Maestre Gómez, Esteban"

Browsing Articles (Departament de Tecnologies de la Informació i les Comunicacions) by Author "Maestre Gómez, Esteban"

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  • Ramírez, Rafael,1966-; Hazan, Amaury; Maestre Gómez, Esteban; Serra, Xavier (MIT Press, 2008)
    We describe an evolutionary approach to inducing a generative model of expressive music performance for Jazz saxophone. We begin with a collection of audio recordings of real Jazz saxophone performances from which we extract ...
  • Maestre Gómez, Esteban; Ramírez, Rafael,1966- (IOS Press, 2009)
    We present a machine learning approach to modeling bowing control parameter/ncontours in violin performance. Using accurate sensing techniques/nwe obtain relevant timbre-related bowing control parameters such as bow/ntransversal ...
  • Ramírez, Rafael,1966-; Maestre Gómez, Esteban; Pérez Carrillo, Alfonso Antonio, 1977-; Serra, Xavier (Taylor & Francis (Routledge), 2011)
    We present a machine learning approach to the problem of identifying performers from their interpretative styles. In particular, we investigate how violinists express their view of the musical content in audio recordings ...
  • Ramírez, Rafael,1966-; Maestre Gómez, Esteban; Serra, Xavier (Elsevier, 2010)
    We present a pattern recognition approach to the task of identifying performers from their interpretative styles. We investigate how professional musicians express their view of the musical content of musical pieces and ...
  • Ramírez, Rafael,1966-; Hazan, Amaury; Gómez Gutiérrez, Emilia, 1975-; Maestre Gómez, Esteban; Serra, Xavier (Taylor & Francis (Routledge), 2005)
    If-then rules are one of the most expressive and intuitive knowledge representations and their application to represent musical knowledge raises particularly interesting questions. In this paper, we describe an approach ...
  • Maestre Gómez, Esteban; Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Llimona, Joaquim; Mayor Soto, Oscar; Pérez Carrillo, Alfonso Antonio, 1977-; Wanderley, Marcelo (Institute of Electrical and Electronics Engineers (IEEE), 2017)
    The authors provide a first-person outlook on the technical challenges involved in the recording, analysis, archiving, and cloud-based interchange of multimodal string quartet performance data as part of a collaborative ...
  • Maestre Gómez, Esteban; Ramírez, Rafael,1966-; Kersten, Stefan; Serra, Xavier (MIT Press, 2009)
    Here we describe an approach to the expressive synthesis of jazz saxophone melodies that reuses audio recordings and carefully concatenates note samples. The aim is to generate an expressive audio sequence from the analysis ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Pérez Carrillo, Alfonso Antonio, 1977-; Maestre Gómez, Esteban (Frontiers Media, 2014)
    In a musical ensemble such as a string quartet, the musicians interact and influence each other's actions in several aspects of the performance simultaneously in order to achieve a common aesthetic goal. In this article, ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Pérez Carrillo, Alfonso Antonio, 1977-; Maestre Gómez, Esteban (Frontiers, 2014)
    In a musical ensemble such as a string quartet, the musicians interact and influence each other's actions in several aspects of the performance simultaneously in order to achieve a common aesthetic goal. In this article, ...
  • Ramírez, Rafael,1966-; Maestre Gómez, Esteban; Pertusa, Antonio; Gómez Gutiérrez, Emilia, 1975-; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2007)
    We propose a novel approach to the task of identifying performers from their playing styles. We investigate how skilled musicians (Jazz saxophone players in particular) express and communicate their view of the musical and ...
  • Maestre Gómez, Esteban; Blaauw, Merlijn; Bonada, Jordi, 1973-; Guaus, Enric; Pérez Carrillo, Alfonso Antonio, 1977- (Institute of Electrical and Electronics Engineers (IEEE), 2010)
    Excitation-continuous music instrument control patterns are often not explicitly represented in current sound synthesis techniques when applied to automatic performance. Both physical model-based and sample-based synthesis ...
  • Marchini, Marco, 1984-; Ramírez, Rafael,1966-; Maestre Gómez, Esteban (Taylor & Francis (Routledge), 2014)
    Computational approaches for modelling expressive music performance have produced systems that emulate music expression, but few steps have been taken in the domain of ensemble performance. In this paper, we propose a novel ...

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