Benvinguts al Repositori Digital de la UPF

Visualitza Departament de Tecnologies de la Informació i les Comunicacions per autor "Serra, Xavier"

Visualitza Departament de Tecnologies de la Informació i les Comunicacions per autor "Serra, Xavier"

Ordena per: Ordre: Resultats:

  • Caro Repetto, Rafael; Serra, Xavier (2017)
    The MIR research on jingju (also known as Beijing or Peking opera) music has taken audio as the main source of information. Music scores are an important resource for the musicological research of this tradition, but ...
  • Srinivasamurthy, Ajay; Holzapfel, Andre; Cemgil, Ali Taylan; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2016)
    Most musical phenomena involve repetitive structures that enable listeners to track meter, i.e. the tactus or beat, the longer over-arching measure or bar, and possibly other related layers. Meters with long measure duration, ...
  • Bellur, Ashwin; Ishwar, Vignesh; Serra, Xavier; Murthy, Hema A. (Universitat Pompeu Fabra, 2012)
    In this paper, we describe several techniques for detecting tonic pitch value in Indian classical music. In Indian music, the raga is the basic melodic framework and it is built on the tonic. Tonic detection is therefore ...
  • Serra, Xavier; Koduri, Gopala Krishna (2013)
    Knowledge representation technologies developed in the semantic web context can be utilized to bridge the gap between music information research and disciplines like musicology and music theory. This will greatly enhance ...
  • Sordo, Mohamed; Serrà Julià, Joan; Koduri, Gopala Krishna; Serra, Xavier (Universitat Pompeu Fabra, 2012)
    In this paper a method for extracting semantic information/nfrom online music discussion forums is proposed. The semantic relations are inferred from the co-occurrence of musical concepts in forum posts, using network ...
  • Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2011)
    Our information technologies do not respond to the world's/nmulticultural reality; in fact, we are imposing the paradigms/nof our market-driven western culture also on IT, thus facilitating/nthe access of a small part of ...
  • Salamon, Justin; Gulati, Sankalp; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2012)
    The tonic is a fundamental concept in Indian classical music/nsince it constitutes the base pitch from which a lead/nperformer constructs the melodies, and accompanying instruments/nuse it for tuning. This makes tonic ...
  • Sordo, Mohamed; Koduri, Gopala Krishna; Sentürk, Sertan; Gulati, Sankalp; Serra, Xavier (Universitat Pompeu Fabra, 2012)
    In the context of the CompMusic project we are developing methods to automatically describe/annotate audio music recordings pertaining to various music cultures. As a/nway to demonstrate the usefulness of the methods we ...
  • Romani Picas, Oriol; Parra Rodríguez, Hèctor; Dabiri, Dara; Tokuda, Hiroshi; Hariya, Wataru; Oishi, Koji; Serra, Xavier (Audio Engineering Society, 2015)
    This paper presents a system that complements the functionality of a typical tuner by evaluating the sound quality of a music performer in real-time. It consists of a software tool that computes a score of how well single ...
  • Sentürk, Sertan; Koduri, Gopala Krishna; Serra, Xavier (Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4) Hochschule für Musik und Theate, 2016)
    Musical notes are often modeled as a discrete sequence of points on a frequency spectrum with possibly different interval sizes such as just-intonation. Computational descriptions abstracting the pitch content in audio ...
  • Oramas, Sergio; Sordo, Mohamed; Espinosa-Anke, Luis; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2015)
    This paper describes and evaluates a method for computing artist similarity from a set of artist biographies. The/nproposed method aims at leveraging semantic information present in these biographies, and can be divided ...
  • Tian, Mi; Srinivasamurthy, Ajay; Sandler, Mark; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2014)
    Note onset detection and instrument recognition are two of the most investigated tasks in Music Information Retrieval (MIR). Various detection methods have been proposed in previous research for western music, with less ...
  • Srinivasamurthy, Ajay; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2014)
    A supervised approach to metrical cycle tracking from audio is presented,/nwith a main focus on tracking the tāḷa, the hierarchical cyclic/nmetrical structure in Carnatic music. Given the tāḷa of a piece, we aim/nto estimate ...
  • Gulati, Sankalp; Salamon, Justin; Serra, Xavier (Universitat Pompeu Fabra, 2012)
    In this paper we propose a new approach for tonic identification in Indian art music and present a proposal for a/ncomplete iterative system for the same. Our method splits the task of tonic pitch identification into two ...
  • Sentürk, Sertan; Holzapfel, Andre; Serra, Xavier (Universitat Pompeu Fabra, 2012)
    The main information sources to study a particular piece of music are symbolic scores and audio recordings. These are complementary representations of the piece and it is/nvery useful to have a proper linking between the ...
  • Font, Frederic; Serra, Xavier (Universitat Pompeu Fabra, 2012)
    User generated content shared in online communities is often described using collaborative tagging systems where users assign labels to content resources. As a result, a folksonomy emerges that relates a number of tags ...
  • Font, Frederic; Serrà Julià, Joan; Serra, Xavier (ACM Association for Computer Machinery, 2015)
    Collaborative tagging systems have emerged as a successful solution for annotating contributed resources to online sharing platforms, facilitating searching, browsing, and organizing their contents. To aid users in the ...
  • Serrà Julià, Joan; Koduri, Gopala Krishna; Miron, Marius; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2011)
    The issue of tuning in Indian classical music has been, historically,/na matter of theoretical debate. In this paper, we/nstudy its contemporary practice in sung performances of Carnatic/nand Hindustani music following an ...
  • Dzhambazov, Georgi Bogomilov; Sentürk, Sertan; Serra, Xavier (Computer Engineering Department, Bogaziçi University, 2014)
    We apply a lyrics-to-audio alignment state-of-the-art approach to polyphonic pieces from classical Turkish repertoire. A phonetic recognizer is employed, whereby each phoneme is assigned a hidden Markov model (HMM). Initially ...
  • Gulati, Sankalp; Bellur, Ashwin; Salamon, Justin; Ranjani, H. G.; Ishwar, Vignesh; Murthy, Hema A.; Serra, Xavier (Taylor & Francis (Routledge), 2014)
    The tonic is a fundamental concept in Indian art music. It is the base pitch, which an artist chooses in order to construct the melodies during a rāg(a) rendition, and all accompanying instruments are tuned using the tonic ...