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Browsing Departament de Tecnologies de la Informació i les Comunicacions by Author "Maestre Gómez, Esteban"

Browsing Departament de Tecnologies de la Informació i les Comunicacions by Author "Maestre Gómez, Esteban"

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  • Ramírez, Rafael,1966-; Hazan, Amaury; Maestre Gómez, Esteban; Serra, Xavier (MIT Press, 2008)
    We describe an evolutionary approach to inducing a generative model of expressive music performance for Jazz saxophone. We begin with a collection of audio recordings of real Jazz saxophone performances from which we extract ...
  • Maestre Gómez, Esteban; Ramírez, Rafael,1966- (IOS Press, 2009)
    We present a machine learning approach to modeling bowing control parameter/ncontours in violin performance. Using accurate sensing techniques/nwe obtain relevant timbre-related bowing control parameters such as bow/ntransversal ...
  • Papiotis, Panagiotis, 1985-; Herrera Boyer, Perfecto, 1964-; Marchini, Marco, 1984-; Maestre Gómez, Esteban (University of Jyväskylä, 2013)
    In a musical ensemble musicians can influence each other’s performance in terms not only of timing but also in other aspects of the performance such as dynamics, intonation, and timbre. The goal of this work is to test ...
  • Ramírez, Rafael,1966-; Maestre Gómez, Esteban; Pérez Carrillo, Alfonso Antonio, 1977-; Serra, Xavier (Taylor & Francis (Routledge), 2011)
    We present a machine learning approach to the problem of identifying performers from their interpretative styles. In particular, we investigate how violinists express their view of the musical content in audio recordings ...
  • Ramírez, Rafael,1966-; Maestre Gómez, Esteban; Serra, Xavier (Elsevier, 2010)
    We present a pattern recognition approach to the task of identifying performers from their interpretative styles. We investigate how professional musicians express their view of the musical content of musical pieces and ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Maestre Gómez, Esteban (12th International Conference on Music Perception and Cognition (ICMPC) - 8th Triennial Conference of the European Society, 2012)
    Musical ensembles, such as a string quartet, are a clear case of music performance where a joint interpretation of the score as well as joint action during the performance is required by the musicians. Of the several ...
  • Maestre Gómez, Esteban; Scavone, Gary P.; Smith, Julius O. (Creative Commons License, 2013)
    We present a methodology for digital modeling of D-dimensional driving-point bridge admittances from vibration measurements on instruments of the violin family. Our study, centered around the two-dimensional case for violin, ...
  • Maestre Gómez, Esteban; Scavone, Gary P.; Smith, Julius O. (Institute of Electrical and Electronics Engineers (IEEE), 2015)
    This paper proposes a method for modeling bridge reflectances and body radiativity profiles as digital filters in the context of sound synthesis by digital waveguides. The model is based on modal analysis of bridge ...
  • Ramírez, Rafael,1966-; Hazan, Amaury; Gómez Gutiérrez, Emilia, 1975-; Maestre Gómez, Esteban; Serra, Xavier (Taylor & Francis (Routledge), 2005)
    If-then rules are one of the most expressive and intuitive knowledge representations and their application to represent musical knowledge raises particularly interesting questions. In this paper, we describe an approach ...
  • Maestre Gómez, Esteban; Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Llimona Torras, Quim; Mayor, Oscar; Pérez Carrillo, Alfonso Antonio, 1977-; Wanderley, Marcelo (Institute of Electrical and Electronics Engineers (IEEE), 2017)
    The authors provide a first-person outlook on the technical challenges involved in the recording, analysis, archiving, and cloud-based interchange of multimodal string quartet performance data as part of a collaborative ...
  • Maestre Gómez, Esteban; Ramírez, Rafael,1966-; Kersten, Stefan; Serra, Xavier (MIT Press, 2009)
    Here we describe an approach to the expressive synthesis of jazz saxophone melodies that reuses audio recordings and carefully concatenates note samples. The aim is to generate an expressive audio sequence from the analysis ...
  • Maestre Gómez, Esteban; Pérez Carrillo, Alfonso Antonio, 1977-; Ramírez, Rafael,1966- (International Computer Music Association, 2010)
    This paper presents a framework in which samples of bowing gesture parameters are retrieved and concatenated from a database of violin performances by attending to an annotated input score. Resulting bowing parameter signals ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Maestre Gómez, Esteban (Associoation Européenne des Conservatoires, 2013)
    We present an exploratory study on ensemble expressive performance based on the analysis of string quartet recordings. We recorded a piece with three expressive intentions: mechanical, normal, and exaggerated. We made use ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Pérez Carrillo, Alfonso Antonio, 1977-; Maestre Gómez, Esteban (Frontiers Media, 2014)
    In a musical ensemble such as a string quartet, the musicians interact and influence each other's actions in several aspects of the performance simultaneously in order to achieve a common aesthetic goal. In this article, ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Pérez Carrillo, Alfonso Antonio, 1977-; Maestre Gómez, Esteban (Frontiers, 2014)
    In a musical ensemble such as a string quartet, the musicians interact and influence each other's actions in several aspects of the performance simultaneously in order to achieve a common aesthetic goal. In this article, ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Maestre Gómez, Esteban; Pérez Carrillo, Alfonso Antonio, 1977- (Springer, 2012)
    In this article we present our ongoing work on expressive /nperformance analysis for violin and string ensembles, in terms of synchronization in intonation, timing, dynamics and articulation. Our current /nresearch objectives ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Maestre Gómez, Esteban (Associoation Européenne des Conservatoires, 2013)
    In a musical ensemble such as a string quartet, the performers can influence each other’s actions in several aspects of the performance simultaneously. Based on a set of recorded string quartet exercises, we carried out a ...
  • Ramírez, Rafael,1966-; Maestre Gómez, Esteban; Pertusa, Antonio; Gómez Gutiérrez, Emilia, 1975-; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2007)
    We propose a novel approach to the task of identifying performers from their playing styles. We investigate how skilled musicians (Jazz saxophone players in particular) express and communicate their view of the musical and ...
  • Mayor, Oscar; Llimona Torras, Quim; Marchini, Marco, 1984-; Papiotis, Panagiotis, 1985-; Maestre Gómez, Esteban (ACM Association for Computer Machinery, 2013)
    In this technical demo we present repoVizz (http://repovizz.upf.edu), an integrated online system capable of structural formatting and remote storage, browsing, exchange, annotation, and visualization of synchronous ...
  • Mayor, Oscar; Llop, Jordi; Maestre Gómez, Esteban (International Society for Music Information Retrieval (ISMIR), 2011)
    RepoVizz is a data repository and visualization tool for/nstructured storage and user-friendly browsing of music performance/nmulti-modal recordings. The primary purpose of/nRepoVizz is to offer means for the scientific ...

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