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‘Le Trafic du cinéma’: On the Relationship between Criticism and Collective Programming Through a Publication; the Case of Trafic and the Jeu de Paume

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dc.contributor.author Ganzo, Fernando
dc.date.accessioned 2021-12-20T14:37:02Z
dc.date.available 2021-12-20T14:37:02Z
dc.date.issued 2012
dc.identifier http://www.raco.cat/index.php/Comparativecinema/article/view/266144
dc.identifier.uri http://hdl.handle.net/10230/49554
dc.format text/html
dc.format application/pdf
dc.language.iso cat
dc.publisher Universitat Pompeu Fabra
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/266144/353770
dc.relation.haspart http://www.raco.cat/index.php/Comparativecinema/article/view/266144/411172
dc.source.uri Comparative Cinema; Núm. 1 (2012): Programming/montage
dc.source.uri Comparative Cinema; No 1 (2012): Programming/montage
dc.source.uri Comparative Cinema; Núm. 1 (2012): Programming/montage
dc.source.uri 2604-9821
dc.title ‘Le Trafic du cinéma’: On the Relationship between Criticism and Collective Programming Through a Publication; the Case of Trafic and the Jeu de Paume
dc.type info:eu-repo/semantics/article
dc.type info:eu-repo/semantics/publishedVersion
dc.date.modified 2013-07-09T17:12:16Z


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