Welcome to the UPF Digital Repository
Any: 2021 Num.: 16 (2021): Biopic vs Biopic: Comparing Cinematic Lives
- Home
- →
- Revistes científiques
- →
- Cinema Comparat/ive Cinema
- →
- Any: 2021 Num.: 16 (2021): Biopic vs Biopic: Comparing Cinematic Lives
JavaScript is disabled for your browser. Some features of this site may not work without it.
Any: 2021 Num.: 16 (2021): Biopic vs Biopic: Comparing Cinematic Lives
Browse by
Recent Submissions
-
(Universitat Pompeu Fabra, 2021)Vincent van Gogh es uno de los pintores a los que el cine ha dedicado un mayor número de biopics. El interés por su figura se debe, en parte, al misterio que ha rodeado sus últimos días en Arles, Francia, por lo que no es ...
-
(Universitat Pompeu Fabra, 2021)On the occasion of the 25th anniversary of his death in 2019, Netflix released two limited series focused on Mexican presidential candidate Luis Donaldo Colosio and his assassination. 1994 (directed by Diego Enrique Osorno) ...
-
(Universitat Pompeu Fabra, 2021)As virtual sites of public memorialization, historical biopics play an important part in shaping our view of the past. The genre employs a range of formal and narrative strategies in order to create persuasive narratives ...
-
(Universitat Pompeu Fabra, 2021)Personas are the public expressions of a private identity, the performance of personality in the social world. They are particularly visible and familiar in the world of celebrity, where entertainers regularly adopt an ...
-
(Universitat Pompeu Fabra, 2021)
-
(Universitat Pompeu Fabra, 2021)El presente artículo pretende revisar en qué forma algunas realizadoras muestran su modo de entender y experimentar el placer a partir del estudio comparado de Christmas on Earth (Barbara Rubin, 1963), Fuses (Carolee ...
-
(Universitat Pompeu Fabra, 2021)Writers Stefan Zweig and Elizabeth Bishop both lived in Brazil, although in very different circumstances. Their stories served as basis for two films: Maria Schrader’s Stefan Zweig: Farewell to Europe (Vor der Morgenröte, ...
-
(Universitat Pompeu Fabra, 2021)
