Home
→
Revistes científiques
→
Cinema Comparat/ive Cinema
→
Any: 2020 Num.: 15 (2020): Female Desire in Film: Theories, Methods, Case Studies

Any: 2020 Num.: 15 (2020): Female Desire in Film: Theories, Methods, Case Studies

Browse by

Recent Submissions

Towards a ‘Perverse’ Brechtianism

Harris, Jonathan (Universitat Pompeu Fabra, 2020)

In 1990, Thomas Elsaesser wrote that Brechtian aesthetics are toothless in a hyperreal image culture. Thirty years on, this essay reworks the notion of distanciation by asking: what if we cannot decide whether the unnatural ...
Female Desire in Film

Bou, Núria; Pérez, Xavier (Universitat Pompeu Fabra, 2020)
When Woman Teams Up with Monster

Antón Sánchez, Laura (Universitat Pompeu Fabra, 2020)

How has the relationship between women and monsters influenced the cultural construction of femininity? In contemporary Hollywood audiovisuals, where selfawareness of the story takes on a special importance, particular ...
Historia de una habitación

Vilaró Moncasí, Arnau (Universitat Pompeu Fabra, 2020)

El cine de Chantal Akerman aborda una de las cuestiones capitales en la representación del deseo femenino: la discusión en torno a los mecanismos de un lenguaje que, según Laura Mulvey, proviene de una mirada masculina ...
Feminine Desire in Claudia Llosa’s "The Milk of Sorrow" and Shirin Neshat’s "Women Without Men" in Dialogue with Irigaray’s Philosophy of the Caress

Rifeser, Judith (Universitat Pompeu Fabra, 2020)

An exploration of feminine desire through the lens of Luce Irigaray’s caress is afforded here through the feminist film-philosophical analysis of Claudia Llosa’s The Milk of Sorrow (La teta asustada, 2009) and Women Without ...
Desiring Domestic Workers in "The Maid" and "The Desert Bride"

Osborne, Elizabeth (Universitat Pompeu Fabra, 2020)

This article analyzes the representation of feminine desires in two Southern Conefilms, The Maid (La nana, Sebastián Silva, Chile, 2009) and The Desert Bride (La novia del desierto, Valeria Pivato and Cecilia Atán, ...
Hacia el umbral

Rugiero Bader, Agustín (Universitat Pompeu Fabra, 2020)

El presente es un estudio sobre cómo el poder masculino ha conceptualizado a la bruja desde el “Norte Global” como imagen de la alteridad femenina, informado por los trabajos de Julia Kristeva, Teresa de Lauretis, Hélène ...
Perez, Gilberto. 2019. "The Eloquent Screen: A Rhetoric of Film"

Tedesco-Barlocco, Brunella (Universitat Pompeu Fabra, 2020)
Solomon, Stefan. ed. 2017. "Tropicália and Beyond: Dialogues in Brazilian Film History"

Philippi, Anna-Sophie (Universitat Pompeu Fabra, 2020)