This text sets out to present the cinematic representation of Pier Paolo Pasolini and Aldo Moro from the idea of the “unburied corpse”. I propose here that, due to the circumstances of their deaths, the lifeless ...

This article takes the reader on a journey through Remembrance Park (the commemorative area in the city of Buenos Aires, which looks onto Río de laPlata, where so many corpses ended up submerged) which intertwines the ...

This article uses a comparative and hermeneutical analysis to explore the similarities and differences between the cinematographic work of Billy Wilder,in particular, Sunset Blvd. (1950), and David Lynch and the ...

The article questions the problematic figuration of the corpse in the history of Spanish cinema and particularly in the genre of comedy. Starting with a verification of the centrality of death and its representations in ...