We propose a sequence-to-sequence singing synthesizer, which avoids the need for training data with pre-aligned phonetic and acoustic features. Rather than the more common approach of a content-based attention mechanism combined with an autoregressive decoder, we use a different mechanism suitable for feed-forward synthesis. Given that phonetic timings in singing are highly constrained by the musical score, we derive an approximate initial alignment with the help of a simple duration model. Then, ...
We propose a sequence-to-sequence singing synthesizer, which avoids the need for training data with pre-aligned phonetic and acoustic features. Rather than the more common approach of a content-based attention mechanism combined with an autoregressive decoder, we use a different mechanism suitable for feed-forward synthesis. Given that phonetic timings in singing are highly constrained by the musical score, we derive an approximate initial alignment with the help of a simple duration model. Then, using a decoder based on a feed-forward variant of the Transformer model, a series of self-attention and convolutional layers refines the result of the initial alignment to reach the target acoustic features. Advantages of this approach include faster inference and avoiding the exposure bias issues that affect autoregressive models trained by teacher forcing. We evaluate the effectiveness of this model compared to an autoregressive baseline, the importance of self-attention, and the importance of the accuracy of the duration model.
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