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Enriched multimodal representations of music performances: online access and visualization

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dc.contributor.author Maestre Gómez, Esteban
dc.contributor.author Papiotis, Panagiotis, 1985-
dc.contributor.author Marchini, Marco, 1984-
dc.contributor.author Llimona Torras, Quim
dc.contributor.author Mayor, Oscar
dc.contributor.author Pérez Carrillo, Alfonso Antonio, 1977-
dc.contributor.author Wanderley, Marcelo
dc.date.accessioned 2019-05-13T14:24:45Z
dc.date.available 2019-05-13T14:24:45Z
dc.date.issued 2017
dc.identifier.citation Maestre E, Papiotis P, Marchini M, Llimona Q, Mayor O, Perez A, et al. Enriched multimodal representations of music performances: online access and visualization. IEEE MultiMedia. 2017 Jan-Mar;24(1):24-34. DOI: 10.1109/MMUL.2017.3
dc.identifier.issn 1070-986X
dc.identifier.uri http://hdl.handle.net/10230/37218
dc.description.abstract The authors provide a first-person outlook on the technical challenges involved in the recording, analysis, archiving, and cloud-based interchange of multimodal string quartet performance data as part of a collaborative research project on ensemble music making. To facilitate the sharing of their own collection of multimodal recordings and extracted descriptors and annotations, they developed a hosting platform through which multimodal data (audio, video, motion capture, and derived signals) can be stored, visualized, annotated, and selectively retrieved via a web interface and a dedicated API. This article offers a twofold contribution: the authors open their collection of enriched multimodal recordings, the Quartet dataset, to the community, and they introduce and enable access to their multimodal data exchange platform and web application, the Repovizz system. This article is part of a special issue on multimedia technologies for enriched music.
dc.description.sponsorship This work was partially funded by the EU FP7 project numbers 250026 (SIEMPRE) and 601166 (PHENICX), the EU Marie Curie Integration Grant PIOF-GA-2012-331270, and the AGAUR Catalan Public Funding Agency. Moreover, the authors thank the BRAMS Laboratory and the contributions by Erika Donald, Marcello Giordano, Carolina B. Medeiros, Marina Azón, Guillermo Navarro, and Jordi Llop.
dc.format.mimetype application/pdf
dc.language.iso eng
dc.publisher Institute of Electrical and Electronics Engineers (IEEE)
dc.relation.ispartof IEEE MultiMedia. 2017 Jan-Mar;24(1):24-34
dc.rights © 2017 IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other uses, in any current or future media, including reprinting/republishing this material for advertising or promotional purposes, creating new collective works, for resale or redistribution to servers or lists, or reuse of any copyrighted component of this work in other works. The final published article can be found at https://dx.doi.org/10.1109/MMUL.2017.3
dc.title Enriched multimodal representations of music performances: online access and visualization
dc.type info:eu-repo/semantics/article
dc.identifier.doi http://dx.doi.org/10.1109/MMUL.2017.3
dc.subject.keyword Instruments
dc.subject.keyword Music
dc.subject.keyword Data visualization
dc.subject.keyword Multiple signal classification
dc.subject.keyword Context awareness
dc.subject.keyword Microphones
dc.subject.keyword Media
dc.subject.keyword Collaborative work
dc.subject.keyword Recording
dc.relation.projectID info:eu-repo/grantAgreement/EC/FP7/250026
dc.relation.projectID info:eu-repo/grantAgreement/EC/FP7/601166
dc.relation.projectID info:eu-repo/grantAgreement/EC/FP7/331270
dc.rights.accessRights info:eu-repo/semantics/openAccess
dc.type.version info:eu-repo/semantics/acceptedVersion


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