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Browsing Congressos (Departament de Tecnologies de la Informació i les Comunicacions) by Author "Ganguli, Kaustuv Kanti"

Browsing Congressos (Departament de Tecnologies de la Informació i les Comunicacions) by Author "Ganguli, Kaustuv Kanti"

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  • Vidwans, Amruta; Ganguli, Kaustuv Kanti; Rao, Preeti (Universitat Pompeu Fabra, 2012)
    A prominent categorization of Indian classical music is the Hindustani and Carnatic traditions, the two styles/nhaving evolved under distinctly different historical and/ncultural influences. Both styles are grounded in the ...
  • Ganguli, Kaustuv Kanti; Gulati, Sankalp; Serra, Xavier; Rao, Preeti (International Society for Music Information Retrieval (ISMIR), 2016)
    Indian art music is quintessentially an improvisatory music form in which the line between ‘fixed’ and ‘free’ is extremely subtle. In a raga performance, the melody is loosely constrained by the chosen composition but ...
  • Gulati, Sankalp; Serrà Julià, Joan; Ganguli, Kaustuv Kanti; Serra, Xavier (Michigan Publishing, 2014)
    Musical melodies contain hierarchically organized events, where some events are more salient than others, acting as melodic landmarks. In Hindustani music melodies, an important landmark is the occurrence of a nyas. ...
  • Gulati, Sankalp; Serrà Julià, Joan; Ganguli, Kaustuv Kanti; Sentürk, Sertan; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2016)
    Raga is the melodic framework of Indian art music. It is a core concept used in composition, performance, organization, and pedagogy. Automatic raga recognition is thus a fundamental information retrieval task in Indian ...

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