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Browsing Congressos (Departament de Tecnologies de la Informació i les Comunicacions) by Title

Browsing Congressos (Departament de Tecnologies de la Informació i les Comunicacions) by Title

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  • Gulati, Sankalp; Serrà Julià, Joan; Ishwar, Vignesh; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2014)
    We demonstrate a data-driven unsupervised approach for the discovery of melodic patterns in large collections of Indian art music recordings. The approach first works on single recordings and subsequently searches in ...
  • Caro Repetto, Rafael; Serra, Xavier (2016)
    Music in jingju (also known as Peking or Beijing opera) is predefined by tradition. Before the appearance of jingju music composers, actors used to “arrange melodies” (bianqu) for new lyrics according to melodic systems ...
  • Bosch, Juan J.; Gómez Gutiérrez, Emilia, 1975- (Hamburg: Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4). Hochschule für Musik und Theater, 2016)
    This work proposes a melody extraction method which combines a pitch salience function based on source-filter modelling with melody tracking based on pitch contour selection. We model the spectrogram of a musical audio ...
  • Itou, Katunobu; Caro Repetto, Rafael; Serra, Xavier (International Academy, Research, and Industry Association (IARIA), 2016)
    Not only do novice listeners have difficulty enjoying Noh singing but researchers also have difficulty treating it formally. A major reason is the huge difference between the score information and the acoustics of its ...
  • Urbano, Julián (Music Information Retrieval Evaluation eXchange (MIREX), 2014)
    This short paper describes our three submissions to the 2014 edition of the MIREX Symbolic Melodic Similarity task. All three submissions rely on a geometric model that represents melodies as spline curves in the pitch-time ...
  • Urbano, Julián (Music Information Retrieval Evaluation eXchange (MIREX), 2015)
    This short paper describes our three submissions to the 2015 edition of the MIREX Symbolic Melodic Similarity task. They all rely on a geometric model that represents melodies as spline curves in the pitch-time plane. The ...
  • Holzapfel, Andre; Bozkurt, Baris (Universitat Pompeu Fabra, 2012)
    In this paper we investigate how note onsets in Turkish Makam music compositions are distributed, and in how far this distribution supports or contradicts the metrical structure of the pieces, the usul. We use MIDI data ...
  • Dzhambazov, Georgi Bogomilov; Holzapfel, Andre; Srinivasamurthy, Ajay; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2017)
    The goal of this study is the automatic detection of onsets of the singing voice in polyphonic audio recordings. Starting with a hypothesis that the knowledge of the current position in a metrical cycle (i.e. metrical ...
  • Amatriain, Xavier; Bonada, Jordi, 1973-; Serra, Xavier (International Conference on Digital Audio Effects, 1998)
    Since the MIDI 1.0 specification, well over 15 years ago, many have been the attempts to give a solution to all the limitations that soon became clear. None of these have had a happy ending, mainly due to commercial ...
  • Gulati, Sankalp; Serrà Julià, Joan; Ishwar, Vignesh; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2014)
    Discovery of repeating structures in music is fundamental to its analysis, understanding and interpretation. We present a data-driven approach for the discovery of shorttime melodic patterns in large collections of ...
  • Porter, Alastair; Bogdanov, Dmitry; Serra, Xavier (ACM Association for Computer Machinery, 2016)
    Semantic annotations of music collections in digital libraries are important for organization and navigation of the collection. These annotations and their associated metadata are useful in many Music Information Retrieval ...
  • Urbano, Julián (Music Information Retrieval Evaluation eXchange (MIREX), 2013)
    This short paper describes our three submissions to the 2013 edition of the MIREX Symbolic Melodic Similarity task. All three submissions rely on a geometric model that represents melodies as spline curves in the pitch-time ...
  • Anantapadmanabhan, Akshay; Bellur, Ashwin; Murthy, Hema A. (Institute of Electrical and Electronics Engineers (IEEE), 2013)
    In this paper we use a Non-negative Matrix Factorization/n(NMF) based approach to analyze the strokes of the mri-/ndangam, a South Indian hand drum, in terms of the normal/nmodes of the instrument. Using ...
  • Blaauw, Merlijn; Bonada, Jordi, 1973- (International Speech Communication Association (ISCA), 2016)
    Latent generative models can learn higher-level underlying factors from complex data in an unsupervised manner. Such models can be used in a wide range of speech processing applications, including synthesis, transformation ...
  • Dzhambazov, Georgi Bogomilov; Serra, Xavier (Music Technology Research Group, Department of Computer Science, Maynooth University, 2015)
    In this work we propose how to modify a standard scheme for text-to-speech alignment for the alignment of lyrics and singing voice. To this end we model the duration of phonemes specific for the case of singing. We rely ...
  • Miron, Marius; Janer Mestres, Jordi; Gómez Gutiérrez, Emilia, 1975- (International Society for Music Information Retrieval (ISMIR), 2017)
    Score information has been shown to improve music source separation when included into non-negative matrix factorization (NMF) frameworks. Recently, deep learning approaches have outperformed NMF methods in terms ...
  • Chandna, Pritish; Miron, Marius; Janer Mestres, Jordi; Gómez Gutiérrez, Emilia, 1975- (Springer, 2017)
    In this paper we introduce a low-latency monaural source separation framework using a Convolutional Neural Network (CNN). We use a CNN to estimate time-frequency soft masks which are applied for source separation. We ...
  • Rezaeirowshan, Babak; Ballester, Coloma; Haro Ortega, Gloria (SCITEPRESS – Science and Technology Publications, Lda., 2016)
    In this paper we propose a method to estimate a global depth order between the objects of a scene using information from a single image coming from an uncalibrated camera. The method we present stems from early vision cues ...
  • Karakurt, Altug; Sentürk, Sertan; Serra, Xavier (ACM Association for Computer Machinery, 2016)
    In the general sense, mode defines the melodic framework and tonic acts as the reference tuning pitch for the melody in the performances of many music cultures. The mode and tonic information of the audio recordings is ...
  • Oliver, Maria; Raad, Lara; Ballester, Coloma; Haro Ortega, Gloria (Institute of Electrical and Electronics Engineers (IEEE), 2018)
    This work presents an automatic method for optical flow inpainting. Given a video, each frame domain is endowed with a Riemannian metric based on the video pixel values. The missing optical flow is recovered by solving the ...

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