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Congressos (Departament de Tecnologies de la Informació i les Comunicacions)

Congressos (Departament de Tecnologies de la Informació i les Comunicacions)

 

Actes de congressos de recerca, en accés obert, del Departament de Tecnologies de la Informació i de les Comunicacions de la UPF.

Enviaments recents

  • Porter, Alastair; Bogdanov, Dmitry; Serra, Xavier (ACM Association for Computer Machinery, 2016)
    Semantic annotations of music collections in digital libraries are important for organization and navigation of the collection. These annotations and their associated metadata are useful in many Music Information Retrieval ...
  • Font Corbera, Frederic; Brookes, Tim; Fazekas, George; Guerber, Martin; La Burthe, Amaury; Plans, David; Plumbley, Mark D.; Shaashua, Meir; Wang, Wenwu; Serra, Xavier (Audio Engineering Society, 2016)
    Significant amounts of user-generated audio content, such as sound effects, musical samples and music pieces, are uploaded to online repositories and made available under open licenses. Moreover, a constantly increasing ...
  • Anguera Miró, Xavier, 1978-; Farrús, Mireia; Hernando, Javier (2004)
    L'evolució de la societat de la informació ha esdevingut un incessant increment de continguts audiovisuals que s’emeten constantment en cadenes de televisió i emissores de radio locals i nacionals en llengua catalana. ...
  • Farrús, Mireia; Anguita, Jan; Anguera Miró, Xavier, 1978-; Crego, Josep Maria; de Gispert, A.; Hernando, Javier; Nadeu Camprubí, Climent (2004)
    La visió actual de la societat de la informació gira fonamentalment al voltant de la llengua escrita. No obstant, és evident que la forma més natural i espontània de comunicació entre els éssers humans és la parla, i no ...
  • Ó Nuanáin, Cárthach; Herrera Boyer, Perfecto; Jordà Puig, Sergi (International Society for Music Information Retrieval (ISMIR), 2016)
    In this paper we present and report on a methodology for evaluating a creative MIR-based application of concatenative synthesis. After reviewing many existing applications of concatenative synthesis we have developed ...
  • Gulati, Sankalp; Serrà Julià, Joan; Ganguli, Kaustuv Kanti; Sentürk, Sertan; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2016)
    Raga is the melodic framework of Indian art music. It is a core concept used in composition, performance, organization, and pedagogy. Automatic raga recognition is thus a fundamental information retrieval task in Indian ...
  • Dzhambazov, Georgi Bogomilov; Srinivasamurthy, Ajay; Sentürk, Sertan; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2016)
    Lyrics-to-audio alignment aims to automatically match given lyrics and musical audio. In this work we extend a state of the art approach for lyrics-to-audio alignment with information about note onsets. In particular, ...
  • Nogueira, Waldo; Gajecki, Tom; Krüger, Benjamin; Janer Mestres, Jordi; Büchner, Andreas (Institute of Electrical and Electronics Engineers (IEEE), 2016)
    The aim of this study is to investigate whether a source separation algorithm based on a deep recurrent neural network (DRNN) can provide a speech perception benefit for cochlear implant users when speech signals are mixed ...
  • Bantula, Helena; Giraldo, Sergio Iván; Ramírez, Rafael,1966- (International Society for Music Information Retrieval (ISMIR), 2016)
    Computational expressive music performance studies the analysis and characterisation of the deviations that a musician introduces when performing a musical piece. It has been studied in a classical context where timing ...
  • Font Corbera, Frederic; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2016)
    Tempo estimation is a common task within the music information retrieval community, but existing works are rarely evaluated with datasets of music loops and the algorithms are not tailored to this particular type of content. ...
  • Bandiera, Giuseppe; Romani Picas, Oriol; Tokuda, Hiroshi; Hariya, Wataru; Oishi, Koji; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2016)
    We introduce good-sounds.org, a community driven framework based on freesound.org to explore the concept of goodness in instrumental sounds. Goodness is considered here as the common agreed basic sound quality of ...
  • Oramas, Sergio; Espinosa-Anke, Luis; Lawlor, Aonghus; Serra, Xavier; Saggion, Horacio (International Society for Music Information Retrieval (ISMIR), 2016)
    In this paper, we explore a large multimodal dataset of about 65k albums constructed from a combination of Amazon customer reviews, MusicBrainz metadata and AcousticBrainz audio descriptors. Review texts are further ...
  • Ganguli, Kaustuv Kanti; Gulati, Sankalp; Serra, Xavier; Rao, Preeti (International Society for Music Information Retrieval (ISMIR), 2016)
    Indian art music is quintessentially an improvisatory music form in which the line between ‘fixed’ and ‘free’ is extremely subtle. In a raga performance, the melody is loosely constrained by the chosen composition but ...
  • Bogdanov, Dmitry; Porter, Alastair; Herrera Boyer, Perfecto; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2016)
    Many studies in music classification are concerned with obtaining the highest possible cross-validation result. However, some studies have noted that cross-validation may be prone to biases and that additional evaluations ...
  • Faraldo Pérez, Ángel; Gómez Gutiérrez, Emilia, 1975-; Jordà Puig, Sergi; Herrera Boyer, Perfecto (Springer, 2016)
    In this paper we study key estimation in electronic dance music, an umbrella term referring to a variety of electronic music subgenres intended for dancing at nightclubs and raves. We start by defining notions of tonality ...
  • Itou, Katunobu; Caro Repetto, Rafael; Serra, Xavier (International Academy, Research, and Industry Association (IARIA), 2016)
    Not only do novice listeners have difficulty enjoying Noh singing but researchers also have difficulty treating it formally. A major reason is the huge difference between the score information and the acoustics of its ...
  • Schedl, Markus; Eghbal-Zadeh, Hamid; Gómez Gutiérrez, Emilia, 1975-; Tkalcic, Marko (International Society for Music Information Retrieval (ISMIR), 2016)
    We present a study, carried out on 241 participants, which investigates on classical music material the agreement of listeners on perceptual music aspects (related to emotion, tempo, complexity, and instrumentation) and ...
  • Janer Mestres, Jordi; Gómez Gutiérrez, Emilia, 1975-; Martorell Domínguez, Agustín; Miron, Marius; de Wit, Benjamin (Institute of Electrical and Electronics Engineers (IEEE), 2016)
    This paper combines Audio Signal Processing and Virtual Reality (VR) content to create novel immersive experiences for orchestral music audiences. In VR, the auralization of sound sources of recorded live content remains ...
  • Sarasúa Berodia, Álvaro; Melenhorst, Mark; Fernandez Julià, Carles, 1984-; Gómez Gutiérrez, Emilia, 1975- (Institute of Electrical and Electronics Engineers (IEEE), 2016)
    Classical music is associated with a set of social and cognitive barriers that prevent potentially interested novice classical music listeners from attending concerts. The possible strategies to overcome these barriers and ...
  • Ó Nuanáin, Cárthach; Jordà Puig, Sergi; Herrera Boyer, Perfecto (International Conference on New Interfaces for Musical Expression (NIME), 2016)
    In this paper we describe an approach for generating and visualising new rhythmic patterns from existing audio in real-time using concatenative synthesis. We introduce a graph-based model enabling novel visualisation and ...

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