Browsing by Author "Rao, Preeti"

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  • Vidwans, Amruta; Ganguli, Kaustuv Kanti; Rao, Preeti (Universitat Pompeu Fabra, 2012)
    A prominent categorization of Indian classical music is the Hindustani and Carnatic traditions, the two styles/nhaving evolved under distinctly different historical and/ncultural influences. Both styles are grounded in the ...
  • Ganguli, Kaustuv Kanti; Gulati, Sankalp; Serra, Xavier; Rao, Preeti (International Society for Music Information Retrieval (ISMIR), 2016)
    Indian art music is quintessentially an improvisatory music form in which the line between ‘fixed’ and ‘free’ is extremely subtle. In a raga performance, the melody is loosely constrained by the chosen composition but ...
  • Ross, Joe Cheri; Rao, Preeti (Universitat Pompeu Fabra, 2012)
    Melodic motifs form essential building blocks in Indian Classical music. The motifs, or key phrases, provide/nstrong cues to the identity of the underlying raga in both Hindustani and Carnatic styles of Indian music. ...
  • Serra, Xavier; Rao, Preeti; Murthy, Hema A.; Bozkurt, Baris (Universitat Pompeu Fabra, 2012)
  • Koduri, Gopala Krishna; Gulati, Sankalp; Rao, Preeti; Serra, Xavier; Serra, Xavier (Taylor & Francis (Routledge), 2012)
    Rāga forms the melodic framework for most of the music of the Indian subcontinent. Thus automatic rāga recognition is a fundamental step in the computational modeling of the Indian art-music traditions. In this work, ...

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