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Browsing by Author "Pérez Carrillo, Alfonso Antonio, 1977-"

Browsing by Author "Pérez Carrillo, Alfonso Antonio, 1977-"

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  • Ramírez, Rafael,1966-; Maestre Gómez, Esteban; Pérez Carrillo, Alfonso Antonio, 1977-; Serra, Xavier (Taylor & Francis (Routledge), 2011)
    We present a machine learning approach to the problem of identifying performers from their interpretative styles. In particular, we investigate how violinists express their view of the musical content in audio recordings ...
  • Pérez Carrillo, Alfonso Antonio, 1977- (Universitat Pompeu Fabra, 2009-11-05)
    In this work we investigate new sound synthesis techniques for imitating musical instruments using the violin as a case study. It is a multidisciplinary research, covering several fields such as spectral modeling, machine ...
  • Maestre Gómez, Esteban; Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Llimona, Joaquim; Mayor Soto, Oscar; Pérez Carrillo, Alfonso Antonio, 1977-; Wanderley, Marcelo (Institute of Electrical and Electronics Engineers (IEEE), 2017)
    The authors provide a first-person outlook on the technical challenges involved in the recording, analysis, archiving, and cloud-based interchange of multimodal string quartet performance data as part of a collaborative ...
  • Maestre Gómez, Esteban; Marchini, Marco, 1984-; Papiotis, Panos; Pérez Carrillo, Alfonso Antonio, 1977- (2014)
    The dataset contains 23 multimodal recordings of string quartet performance. Acquired data includes the audio of each performance in separate tracks: up to two ambient tracks and individual tracks acquired through contact ...
  • Maestre Gómez, Esteban; Pérez Carrillo, Alfonso Antonio, 1977-; Ramírez, Rafael,1966- (International Computer Music Association, 2010)
    This paper presents a framework in which samples of bowing gesture parameters are retrieved and concatenated from a database of violin performances by attending to an annotated input score. Resulting bowing parameter signals ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Pérez Carrillo, Alfonso Antonio, 1977-; Maestre Gómez, Esteban (Frontiers Media, 2014)
    In a musical ensemble such as a string quartet, the musicians interact and influence each other's actions in several aspects of the performance simultaneously in order to achieve a common aesthetic goal. In this article, ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Pérez Carrillo, Alfonso Antonio, 1977-; Maestre Gómez, Esteban (Frontiers, 2014)
    In a musical ensemble such as a string quartet, the musicians interact and influence each other's actions in several aspects of the performance simultaneously in order to achieve a common aesthetic goal. In this article, ...
  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Maestre Gómez, Esteban; Pérez Carrillo, Alfonso Antonio, 1977- (Springer, 2012)
    In this article we present our ongoing work on expressive /nperformance analysis for violin and string ensembles, in terms of /nsynchronization in intonation, timing, dynamics and articulation. Our current /nresearch ...
  • Pérez Carrillo, Alfonso Antonio, 1977-; Bonada, Jordi, 1973-; Pätynen, Jukka; Välimäki, Vesa (National Research Council Canada Research Press, 2011)
    This work presents a method for measuring and computing violin-body directional frequency responses, which are used for violin sound synthesis. The approach is based on a frame-weighted deconvolution of excitation and ...
  • Maestre Gómez, Esteban; Blaauw, Merlijn; Bonada, Jordi, 1973-; Guaus, Enric; Pérez Carrillo, Alfonso Antonio, 1977- (Institute of Electrical and Electronics Engineers (IEEE), 2010)
    Excitation-continuous music instrument control patterns are often not explicitly represented in current sound synthesis techniques when applied to automatic performance. Both physical model-based and sample-based synthesis ...
  • Papiotis, Panagiotis, 1985-; Maestre Gómez, Esteban; Marchini, Marco, 1984-; Pérez Carrillo, Alfonso Antonio, 1977- (IRCAM - Centre Pompidou, 2011)
    In ensemble music performance, such as a string quartet or du et, the musicians interact and influence each other’s performance via a multitude of parameters – including tempo, dynamics, articulation of musical phrases ...