Browsing by Author "Maestre Gómez, Esteban"

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  • Papiotis, Panagiotis, 1985-; Marchini, Marco, 1984-; Maestre Gómez, Esteban (Associoation Européenne des Conservatoires, 2013)
    In a musical ensemble such as a string quartet, the performers can influence each other’s actions in several aspects of the performance simultaneously. Based on a set of recorded string quartet exercises, we carried out a ...
  • Ramírez, Rafael,1966-; Maestre Gómez, Esteban; Pertusa, Antonio; Gómez Gutiérrez, Emilia, 1975-; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2007)
    We propose a novel approach to the task of identifying performers from their playing styles. We investigate how skilled musicians (Jazz saxophone players in particular) express and communicate their view of the musical and ...
  • Mayor, Oscar; Llimona Torras, Quim; Marchini, Marco, 1984-; Papiotis, Panagiotis, 1985-; Maestre Gómez, Esteban (ACM Association for Computer Machinery, 2013)
    In this technical demo we present repoVizz (http://repovizz.upf.edu), an integrated online system capable of structural formatting and remote storage, browsing, exchange, annotation, and visualization of synchronous ...
  • Mayor, Oscar; Llop, Jordi; Maestre Gómez, Esteban (International Society for Music Information Retrieval (ISMIR), 2011)
    RepoVizz is a data repository and visualization tool for/nstructured storage and user-friendly browsing of music performance/nmulti-modal recordings. The primary purpose of/nRepoVizz is to offer means for the scientific ...
  • Maestre Gómez, Esteban; Blaauw, Merlijn; Bonada, Jordi, 1973-; Guaus, Enric; Pérez Carrillo, Alfonso Antonio, 1977- (Institute of Electrical and Electronics Engineers (IEEE), 2010)
    Excitation-continuous music instrument control patterns are often not explicitly represented in current sound synthesis techniques when applied to automatic performance. Both physical model-based and sample-based synthesis ...
  • Maestre Gómez, Esteban (International Computer Music Association, 2009)
    We present a framework for modeling right-hand gestures in bowed-string instrument playing, applied to violin. Nearly non-intrusive sensing techniques allow for accurate acquisition of relevant timbre-related bowing gesture ...
  • Papiotis, Panagiotis, 1985-; Maestre Gómez, Esteban; Marchini, Marco, 1984-; Pérez Carrillo, Alfonso Antonio, 1977- (IRCAM - Centre Pompidou, 2011)
    In ensemble music performance, such as a string quartet or du et, the musicians interact and influence each other’s performance via a multitude of parameters – including tempo, dynamics, articulation of musical phrases ...
  • Marchini, Marco, 1984-; Ramírez, Rafael,1966-; Maestre Gómez, Esteban (Taylor & Francis (Routledge), 2014)
    Computational approaches for modelling expressive music performance have produced systems that emulate music expression, but few steps have been taken in the domain of ensemble performance. In this paper, we propose a novel ...
  • Marchini, Marco, 1984-; Papiotis, Panagiotis, 1985-; Maestre Gómez, Esteban (University of London, 2012)
    This work presents a preliminary study of timing synchronization/nphenomena in string quartet performance. Accurate timing information/nextracted from real recordings is used to compare timing deviations/nin solo and ...
  • Camurri, Antonio; Volpe, Gualtiero; Vinet, Hugues; Bresin, Roberto; Fabiani, Marco; Dubus, Gaël; Maestre Gómez, Esteban; Llop, Jordi; Kleimola, Jari; Oksanen, Sami; Välimäki, Vesa; Seppanen, Jarno (Springer, 2010)
    This paper surveys a collection of sample applications for networked user-centric context-aware embodied music listening. The applications have been designed and developed in the framework of the EU-ICT Project SAME ...

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