Visualitza per autor "Serra, Xavier"

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  • Tian, Mi; Srinivasamurthy, Ajay; Sandler, Mark; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2014)
    Note onset detection and instrument recognition are two of the most investigated tasks in Music Information Retrieval (MIR). Various detection methods have been proposed in previous research for western music, with less ...
  • Srinivasamurthy, Ajay; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2014)
    A supervised approach to metrical cycle tracking from audio is presented,/nwith a main focus on tracking the tāḷa, the hierarchical cyclic/nmetrical structure in Carnatic music. Given the tāḷa of a piece, we aim/nto estimate ...
  • Serra, Xavier (1989)
    This dissertation introduces a new analysis/synthesis method. It is designed to obtain musically useful intermediate representations for sound transformations. The method’s underlying model assumes that a sound is composed ...
  • Gulati, Sankalp; Salamon, Justin; Serra, Xavier (Universitat Pompeu Fabra, 2012)
    In this paper we propose a new approach for tonic identification in Indian art music and present a proposal for a/ncomplete iterative system for the same. Our method splits the task of tonic pitch identification into two ...
  • Loureiro, Ramon; Serra, Xavier (International Computer Music Conference, 1997)
    The World Wide Web has brought the possibility of distributing multimedia objects through the Internet, becoming a very interesting platform for the development of innovative music and audio applications. Apart from the ...
  • Gouyon, Fabien; Widmer, Gerhard; Serra, Xavier; Flexer, Arthur (University of California Press, 2006)
    This article brings forward the question of which acoustic features are the most adequate for identifying beats computationally in acoustic music pieces. We consider many different features computed on consecutive short ...
  • Fonseca, Eduardo; Gong, Rong; Bogdanov, Dmitry; Slizovskaia, Olga; Gómez Gutiérrez, Emilia, 1975-; Serra, Xavier (Tampere University of Technology, 2017)
    This work describes our contribution to the acoustic scene classifi- cation task of the DCASE 2017 challenge. We propose a system that consists of the ensemble of two methods of different nature: a feature engineering ...
  • Porter, Alastair; Bogdanov, Dmitry; Kaye, Robert; Tsukanov, Roman; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2015)
    We introduce the AcousticBrainz project, an open platform for gathering music information. At its core, AcousticBrainz is a database of music descriptors computed from audio recordings using a number of state-of-the-art ...
  • Roma Trepat, Gerard (Universitat Pompeu Fabra, 2015-06-05)
    The rapid adoption of Internet and web technologies has created an opportunity for making music collaboratively by sharing information online. However, current applications for online music making do not take advantage of ...
  • Porter, Alastair; Serra, Xavier (ACM Association for Computer Machinery, 2014)
    We present a work ow processing and data storage system that has been developed to store the computational analysis of large databases of music-related documents. Documents can consist of any music-related data, for ...
  • Sentürk, Sertan; Holzapfel, Andre; Serra, Xavier (Universitat Pompeu Fabra, 2012)
    The main information sources to study a particular piece of music are symbolic scores and audio recordings. These are complementary representations of the piece and it is/nvery useful to have a proper linking between the ...
  • Serra, Xavier (1988)
    This paper describes an environment developed at CCRMA for the analysis, transformation, and resynthesis of sounds. It has been written on a Lisp Machine workstation, using an Array Processor to speed up the signal processing ...
  • Gulati, Sankalp; Serrà Julià, Joan; Serra, Xavier (Institute of Electrical and Electronics Engineers (IEEE), 2015)
    We perform a comparative evaluation of methodologies for computing similarity between short-time melodic fragments of audio recordings of Indian art music. We experiment with 560 different combinations of procedures and ...
  • Caro Repetto, Rafael; Pretto, Niccolò; Chaachoo, Amin; Bozkurt, Baris; Serra, Xavier (ACM Association for Computer Machinery, 2018)
    In the medieval Islamic territories of the Iberian Peninsula known as Al-Andalus a unique style of music was formed combining local practices with Arab sensibilities. After the fall of the last Andalusian kingdom, this ...
  • Font Corbera, Frederic; Serra, Xavier (Universitat Pompeu Fabra, 2012)
    User generated content shared in online communities is often described using collaborative tagging systems where users assign labels to content resources. As a result, a folksonomy emerges that relates a number of tags ...
  • Font Corbera, Frederic; Serrà Julià, Joan; Serra, Xavier (ACM Association for Computer Machinery, 2015)
    Collaborative tagging systems have emerged as a successful solution for annotating contributed resources to online sharing platforms, facilitating searching, browsing, and organizing their contents. To aid users in the ...
  • Wright, Matthew; Beauchamp, James; Fitz, Kelly; Rodet, Xavier; Röbel, Axel; Serra, Xavier; Wakefield, Gregory (Cambridge University Press, 2000)
    We compared six sound analysis/synthesis systems used for computer music. Each system analysed the same collection of twenty-seven varied input sounds, and output the results in Sound Description Interchange Format (SDIF). ...
  • Srinivasamurthy, Ajay; Holzapfel, Andre; Ganguli, Kaustuv Kanti; Serra, Xavier (Frontiers, 2017)
    This article provides insights into aspects of tempo and rhythmic elaboration in Hindustani music, based on a study of a large corpus of recorded performances. Typical tempo developments and stress patterns within a ...
  • Serrà Julià, Joan; Koduri, Gopala Krishna; Miron, Marius; Serra, Xavier (International Society for Music Information Retrieval (ISMIR), 2011)
    The issue of tuning in Indian classical music has been, historically,/na matter of theoretical debate. In this paper, we/nstudy its contemporary practice in sung performances of Carnatic/nand Hindustani music following an ...
  • Font Corbera, Frederic; Serrà Julià, Joan; Serra, Xavier (Audio Engineering Society, 2014)
    Methods for automatic sound and music classification are of great value when trying to organise the large amounts of unstructured, user-contributed audio content uploaded to online sharing platforms. Currently, most of ...