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Visualitza Departament de Tecnologies de la Informació i les Comunicacions per autoria "Bozkurt, Baris"

Visualitza Departament de Tecnologies de la Informació i les Comunicacions per autoria "Bozkurt, Baris"

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  • Uyar, Burak; Atli, Hasan Sercan; Sentürk, Sertan; Bozkurt, Baris; Serra, Xavier (ACM Association for Computer Machinery, 2014)
    Each music tradition has its own characteristics in terms of melodic, rhythmic and timbral properties as well as semantic understandings. To analyse, discover and explore these culture-specific characteristics, we need ...
  • Falcao, Felipe; Bozkurt, Baris; Serra, Xavier; Andrade, Nazareno; Baysal, Ozan (International Society for Music Information Retrieval (ISMIR), 2019)
    This work presents a novel dataset comprised of audio and jury evaluations for rhythmic pattern reproduction performances by students applying for a conservatory. Data was collected in-loco during entrance exams where ...
  • Atli, Hasan Sercan; Bozkurt, Baris; Sentürk, Sertan (Association Dirac, 2015)
    Karar is the final tone in the Turkish makam music performances. The karar frequency, hence the concert pitch varies among performances due to the existence of many diapasons in Turkish makam music, instead of a single ...
  • Tamer, Yahya Burak; Bozkurt, Baris (Journal of interdisciplinary music studies, 2013)
    Background in music computing: An automatic method for tuning analysis of recordings was presented in (Bozkurt 2008). Data collected from this method have been used to develop a new microtonal tuner system implemented in ...
  • Caro Repetto, Rafael; Pretto, Niccolò; Chaachoo, Amin; Bozkurt, Baris; Serra, Xavier (ACM Association for Computer Machinery, 2018)
    In the medieval Islamic territories of the Iberian Peninsula known as Al-Andalus a unique style of music was formed combining local practices with Arab sensibilities. After the fall of the last Andalusian kingdom, this ...
  • Atli, Hasan Sercan; Uyar, Burak; Sentürk, Sertan; Bozkurt, Baris; Serra, Xavier (2014)
    For Turkish makam music, there exist several analysis tools which generally use only the audio as the input to extract the features of the audio. This study aims at extending such approach by using additional features such ...
  • Demirel, Emir; Bozkurt, Baris; Serra, Xavier (Sound & Music Computing Conference, 2019)
    This study focuses on the application of different computational methods to carry out a ”modal harmonic analysis” for Jazz improvisation performances by modeling the concept of chord-scales. The Chord-Scale Theory is a ...
  • Ciamarone, Luciano; Bozkurt, Baris; Serra, Xavier (Springer, 2019)
    This work focuses on automatic Dastgah recognition of monophonic audio recordings of Iranian music using Markov Models. We present an automatic recognition system that models the sequence of intervals computed from quantized ...
  • Demirel, Emir; Bozkurt, Baris; Serra, Xavier (Aristotle University of Thessaloniki, 2018)
    This work focuses on the automatic makam recognition task for Turkish Makam Music using chroma features. Chroma features are widely used for music identification and tonal recognition tasks such as key estimation or chord ...
  • Bozkurt, Baris; Ayangil, Ruhi; Holzapfel, Andre (Taylor & Francis (Routledge), 2014)
    This text targets a review of the computational analysis literature for Turkish makam music, discussing in detail the challenges involved and presenting a perspective for further studies. For that purpose, the basic concepts ...
  • Bozkurt, Baris (Universitat Pompeu Fabra, 2012)
    For computational studies of makam music, it is essential to gather a list of characteristics that constitute a makam and explore corresponding quantitative features for automatic/nanalysis. This study is such an attempt ...
  • Ünal, Erdem; Bozkurt, Baris; Karaosmanoğlu, M. Kemal (Universitat Pompeu Fabra, 2012)
    Automatic classification of makams from symbolic data is a rarely studied topic. In this paper, first a review of an n-gram based approach is presented using various representations of the symbolic data. While a high degree ...
  • Yesiler, Furkan; Bozkurt, Baris; Serra, Xavier (Cyprus University of Technology, 2018)
    This work focuses on automatic makam recognition taskfor Turkish makam music (TMM) using pitch distributionsthat are widely used in mode recognition tasks for variousmusic traditions. Here, we aim to improve the performanceof ...
  • Holzapfel, Andre; Bozkurt, Baris (Universitat Pompeu Fabra, 2012)
    In this paper we investigate how note onsets in Turkish Makam music compositions are distributed, and in how far this distribution supports or contradicts the metrical structure of the pieces, the usul. We use MIDI data ...
  • Bozkurt, Baris; Gulati, Sankalp; Romani Picas, Oriol; Serra, Xavier (International Society for Music Education, 2018)
    This paper concerns online music education and as contribution, it proposes a new technological framework to support online music performance teaching to reduce loads on teachers for assessing large number of student ...
  • Pretto, Niccolò; Bozkurt, Baris; Caro Repetto, Rafael; Serra, Xavier (Cyprus University of Technology, 2018)
    The Arab-Andalusian music is performed through nawab¯at (plural of nawba), suites of instrumental and vocal pieces ordered according to their metrical pattern in a sequence of increasing tempo. This study presents for the ...
  • Serra, Xavier; Rao, Preeti; Murthy, Hema A.; Bozkurt, Baris (Universitat Pompeu Fabra, 2012)
  • Atli, Hasan Sercan; Sentürk, Sertan; Bozkurt, Baris; Serra, Xavier (Folk Music Analysis, 2017)
    Music synthesis is one of the most essential features of music notation software and applications aimed at navigating digital music score libraries. Currently, the majority of music synthesis tools are designed for ...

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