|
dc.contributor.author
|
De Chiara, Mariafilomena |
|
dc.date.accessioned
|
2012-04-16T16:20:28Z |
|
dc.date.available
|
2012-04-16T16:20:28Z |
|
dc.date.issued
|
2009 |
|
dc.identifier.citation
|
De Chiara M. La scena nel testo: Enrico IV di Luigi Pirandello. Arena Romanistica. 2009; 5: 76-86 |
|
dc.identifier.issn
|
1890-4580 |
|
dc.identifier.uri
|
http://hdl.handle.net/10230/16368 |
|
dc.description.abstract
|
The starting point is the understanding of the dramatic text as literary text, thus it could be analyzed with methodologies coming from literary studies: the dramatic text is literature, creation of language and it can be read and interpreted as such. Of course I acknowledge the text’s performativity, implicit in its characteristic and functions. The analysis of Enrico IV (1921) constitutes a practical application of the proposal and the opportunity for opening the discussion to new perspectives. |
|
dc.language.iso
|
ita |
|
dc.publisher
|
University of Bergen |
|
dc.relation.ispartof
|
Arena Romanistica. 2009; 5: 76-86 |
|
dc.rights
|
(c) 2009. University of Bergen. This is an electronic version of an article published in De Chiara M. La scena nel testo: Enrico IV di Luigi Pirandello. Arena Romanistica. 2009; 5: 76-86. Arena romanistica is available online at: http://arenaromanistica.uib.no |
|
dc.subject.other
|
Pirandello, Luigi, 1867-1936 -- Crítica i interpretació |
|
dc.subject.other
|
Teatre -- S. XX -- Història i crítica |
|
dc.title
|
La scena nel testo: Enrico IV di Luigi Pirandello |
|
dc.type
|
info:eu-repo/semantics/article |
|
dc.subject.keyword
|
Teatro |
|
dc.subject.keyword
|
Testo drammatico |
|
dc.subject.keyword
|
Testo spettacolare |
|
dc.subject.keyword
|
Analisi |
|
dc.rights.accessRights
|
info:eu-repo/semantics/openAccess |
|
dc.type.version
|
info:eu-repo/semantics/publishedVersion |
Show simple document record