Any: 2005 Num.: 4 Edició en anglès
http://hdl.handle.net/10230/17019
2024-03-29T08:38:41ZTHE NAKED AND THE DEAD: THE REPRESENTATION OF THE DEAD AND THE CONSTRUCTION OF THE OTHER IN CONTEMPORARY CINEMA: THE CASE OF M. NIGHT SHYAMALAN
http://hdl.handle.net/10230/17043
THE NAKED AND THE DEAD: THE REPRESENTATION OF THE DEAD AND THE CONSTRUCTION OF THE OTHER IN CONTEMPORARY CINEMA: THE CASE OF M. NIGHT SHYAMALAN
Pintor Iranzo, Ivan
2005-01-01T00:00:00ZTHE TRAIL(S) OF THE WEST: THE ITINERARY OF THE TRAGIC HERO THROUGH SHANE
http://hdl.handle.net/10230/17042
THE TRAIL(S) OF THE WEST: THE ITINERARY OF THE TRAGIC HERO THROUGH SHANE
Benavente, Fran
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2005-01-01T00:00:00ZOBJECT / SUBJECT: THE FILMS OF ERIC ROHMER
http://hdl.handle.net/10230/17041
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2005-01-01T00:00:00ZGRAPHIC IMAGES: FROM IMPLICIT MEANING TO INFERRED SENSE
http://hdl.handle.net/10230/17040
GRAPHIC IMAGES: FROM IMPLICIT MEANING TO INFERRED SENSE
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2005-01-01T00:00:00Z